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Reshaping television culture and mod...

Shen, Jinguo.

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Reshaping television culture and modernity: A critical inquiry of Chinese television series and communication praxis.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Reshaping television culture and modernity: A critical inquiry of Chinese television series and communication praxis./
Author:	Shen, Jinguo.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 1995,
Description:	212 p.
Notes:	Source: Dissertation Abstracts International, Volume: 56-09, Section: A, page: 3362.
Contained By:	Dissertation Abstracts International56-09A.
Subject:	Mass communication. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9600593

Reshaping television culture and modernity: A critical inquiry of Chinese television series and communication praxis.
Shen, Jinguo.

Reshaping television culture and modernity: A critical inquiry of Chinese television series and communication praxis. - Ann Arbor : ProQuest Dissertations & Theses, 1995 - 212 p.

Source: Dissertation Abstracts International, Volume: 56-09, Section: A, page: 3362.

Thesis (Ph.D.)--Ohio University, 1995.

This dissertation investigates how the Chinese television series represents emerging communication discourses in the shifting context of Chinese modernity. It explicates how the television series, as an epistemological category and a popular medium of the public sphere, embodies the Chinese poetics that reifies new communication move and praxis in the political and economic reform.Subjects--Topical Terms:

2144804
Mass communication.

Reshaping television culture and modernity: A critical inquiry of Chinese television series and communication praxis.
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245 1 0 $a Reshaping television culture and modernity: A critical inquiry of Chinese television series and communication praxis.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 1995
300 $a 212 p.
500 $a Source: Dissertation Abstracts International, Volume: 56-09, Section: A, page: 3362.
500 $a Director: Jenny L. Nelson.
502 $a Thesis (Ph.D.)--Ohio University, 1995.
520 $a This dissertation investigates how the Chinese television series represents emerging communication discourses in the shifting context of Chinese modernity. It explicates how the television series, as an epistemological category and a popular medium of the public sphere, embodies the Chinese poetics that reifies new communication move and praxis in the political and economic reform.
520 $a Based upon theories of Habermas, Foucault, Ricoeur, Bakhtin, Newcomb, Silverstone, and other critical and television scholars, this inquiry invokes reflections of some key concepts and theories of television studies and modernity with reference to the context of Chinese television and modernization drive. A framework of textual analysis is reconfigured by the intertwining of semiotics and hermeneutics, which focuses upon sign, symbol and meaning in the hermeneutic circles and semiosis of Chinese television. In order to capture the carnivalization of the televisual body, concrete textual analyses were conducted on four exemplars of popular Chinese television series: "He Shang" (River Elegy), "Wei Cheng" (Fortress Besieged), "Stories of an Editorial Office," and "A Native of Beijing in New York." These analyses explore the Chinese televisual signification in terms of narrative structure, rhetorical mode, characterization, and discursive and ideological representations.
520 $a The dissertation analysis reveals that there is a Daoist (Taoist) move and Kaifang (open) episteme emerging from the Chinese television series. The televisual poetics, which derives from the diversification and hybridization of television series in the marketplace transformation, displaces the cultural and ideological domination to a great extent by de-historicization, dialogic imagination and heteroglossia, exploration of modern self, and transborder cultural traveling. The analysis discovers that the series under the study signify four interrelated practices in Chinese televisual exploration: introspection and resistance, simulation and infiltration, self-overcoming and anti-domestic-hegemony, and playful mediation between the popular text and the power reconstruction. As such, these Chinese television series have rearticulated the television culture and communication praxis in the pursuit of Chinese modernity.
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