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The published church cantatas of Geo...

Taylor, Nicholas E.

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The published church cantatas of Georg Philipp Telemann.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The published church cantatas of Georg Philipp Telemann./
作者:	Taylor, Nicholas E.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2014,
面頁冊數:	299 p.
附註:	Source: Dissertation Abstracts International, Volume: 76-05(E), Section: A.
Contained By:	Dissertation Abstracts International76-05A(E).
標題:	Music. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3668391
ISBN:	9781321434415

The published church cantatas of Georg Philipp Telemann.
Taylor, Nicholas E.

The published church cantatas of Georg Philipp Telemann. - Ann Arbor : ProQuest Dissertations & Theses, 2014 - 299 p.

Source: Dissertation Abstracts International, Volume: 76-05(E), Section: A.

Thesis (Ph.D.)--Indiana University, 2014.

At a time when few German composers were publishing church music, Georg Philipp Telemann released five complete annual cycles of church cantatas: the Harmonischer Gottes-Dienst (Hamburg, 1725-26), the Auszug derjenigen musicalischen . . . Arien (Hamburg, 1727), the Fortsetzung des harmonischen Gottesdienstes (Hamburg 1731--32), the Musicalisches Lob Gottes (Nuremberg, 1742--44), and the so-called Engel-Jahrgang (Hermsdorf, 1748). These collections were disseminated widely in their original printed versions and in manuscript copies throughout northern Europe and made the modern, Neumeister-type cantata---with operatic da capo arias and recitatives---available to a large and diverse audience.

ISBN: 9781321434415Subjects--Topical Terms:

516178
Music.

The published church cantatas of Georg Philipp Telemann.
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245 1 4 $a The published church cantatas of Georg Philipp Telemann.
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500 $a Source: Dissertation Abstracts International, Volume: 76-05(E), Section: A.
500 $a Adviser: Daniel R. Melamed.
502 $a Thesis (Ph.D.)--Indiana University, 2014.
520 $a At a time when few German composers were publishing church music, Georg Philipp Telemann released five complete annual cycles of church cantatas: the Harmonischer Gottes-Dienst (Hamburg, 1725-26), the Auszug derjenigen musicalischen . . . Arien (Hamburg, 1727), the Fortsetzung des harmonischen Gottesdienstes (Hamburg 1731--32), the Musicalisches Lob Gottes (Nuremberg, 1742--44), and the so-called Engel-Jahrgang (Hermsdorf, 1748). These collections were disseminated widely in their original printed versions and in manuscript copies throughout northern Europe and made the modern, Neumeister-type cantata---with operatic da capo arias and recitatives---available to a large and diverse audience.
520 $a This dissertation considers the commercial context, marketing, dissemination, and performance history of these five published cantata collections. Chapter 1 shows that Telemann's published cycles were the first and most popular works to offer the newest styles of church music for every Sunday and feast day of the liturgical calendar. Chapters 2--5 consider each collection individually and detail the creative ways in which the composer marketed the works for different types of musicians, including amateurs interested in performing sacred music at home, individuals at churches with modest musical resources, and professional music directors at wealthy institutions.
520 $a Surviving prints and manuscript copies of Telemann's cantatas reveal the individuals who are known to have performed Telemann's church music and show the various changes musicians made to these works according to the availability of certain voice types, instruments, and other practical concerns. These sources also demonstrate the vast and long-lasting appeal of Telemann's music in German-speaking lands and Scandinavia throughout the eighteenth and early nineteenth centuries.
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