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National Film Archives: Policies, Pr...

Kumar, Ramesh.

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National Film Archives: Policies, Practices, and Histories. A Study of the National Film Archive of India, EYE Film Institute Netherlands, and the National Film and Sound Archive, Australia.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	National Film Archives: Policies, Practices, and Histories. A Study of the National Film Archive of India, EYE Film Institute Netherlands, and the National Film and Sound Archive, Australia./
作者:	Kumar, Ramesh.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2016,
面頁冊數:	475 p.
附註:	Source: Dissertation Abstracts International, Volume: 78-05(E), Section: A.
Contained By:	Dissertation Abstracts International78-05A(E).
標題:	Film studies. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10192121
ISBN:	9781369331882

National Film Archives: Policies, Practices, and Histories. A Study of the National Film Archive of India, EYE Film Institute Netherlands, and the National Film and Sound Archive, Australia.
Kumar, Ramesh.

National Film Archives: Policies, Practices, and Histories. A Study of the National Film Archive of India, EYE Film Institute Netherlands, and the National Film and Sound Archive, Australia. - Ann Arbor : ProQuest Dissertations & Theses, 2016 - 475 p.

Source: Dissertation Abstracts International, Volume: 78-05(E), Section: A.

Thesis (Ph.D.)--New York University, 2016.

This dissertation is a transnational study of national film archives, which explores how the idea of a national film archive manifests itself differently in three dissimilar national contexts. It narrates the critical cultural histories of three bricks-and-mortar institutions - the NFAI in Pune, India; the Nederlands Filmmuseum (Netherlands Film Museum, or NFM), now rebranded as the EYE Film Instituut Nederland (EYE Film Institute Netherlands, or EYE); and the National Film and Sound Archive in Canberra, Australia (NFSA) - with a focus on the history of Indigenous cultural and intellectual property (ICIP) material in the case of NFSA. It combines empirical examinations of the three institutions with the conceptual underpinnings of their policies and practices over time, analyzing them as the loci of complex negotiations between various social, political, and ideological forces to produce holistic historical narratives of their rich cultural lives.

ISBN: 9781369331882Subjects--Topical Terms:

2122736
Film studies.

National Film Archives: Policies, Practices, and Histories. A Study of the National Film Archive of India, EYE Film Institute Netherlands, and the National Film and Sound Archive, Australia.
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520 $a This dissertation is a transnational study of national film archives, which explores how the idea of a national film archive manifests itself differently in three dissimilar national contexts. It narrates the critical cultural histories of three bricks-and-mortar institutions - the NFAI in Pune, India; the Nederlands Filmmuseum (Netherlands Film Museum, or NFM), now rebranded as the EYE Film Instituut Nederland (EYE Film Institute Netherlands, or EYE); and the National Film and Sound Archive in Canberra, Australia (NFSA) - with a focus on the history of Indigenous cultural and intellectual property (ICIP) material in the case of NFSA. It combines empirical examinations of the three institutions with the conceptual underpinnings of their policies and practices over time, analyzing them as the loci of complex negotiations between various social, political, and ideological forces to produce holistic historical narratives of their rich cultural lives.
520 $a To achieve this, it uses the transnational nature of national film archives as a structuring device - while treating institutional histories as palimpsests - and mobilizing other such sensitizing concepts as bureaucracy in India, the emergence of cultural clusters in the Netherlands, and multiculturalism in Australia; so as to making meaning of various local iterations of the global idea of a national film archive. In the process, it hopes to make a significant contribution to cinema studies by reorienting the discipline's attention from analyzing cinema as a cultural institution to investigating the cultural institutions of cinema.
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