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The Kazet Theatre: A Bridge From Dea...

Warren, Lindsay M.

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The Kazet Theatre: A Bridge From Death to Life.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The Kazet Theatre: A Bridge From Death to Life./
作者:	Warren, Lindsay M.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2017,
面頁冊數:	206 p.
附註:	Source: Dissertation Abstracts International, Volume: 78-09(E), Section: A.
Contained By:	Dissertation Abstracts International78-09A(E).
標題:	Holocaust studies. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10275219
ISBN:	9781369728484

The Kazet Theatre: A Bridge From Death to Life.
Warren, Lindsay M.

The Kazet Theatre: A Bridge From Death to Life. - Ann Arbor : ProQuest Dissertations & Theses, 2017 - 206 p.

Source: Dissertation Abstracts International, Volume: 78-09(E), Section: A.

Thesis (D.Litt.)--Drew University, 2017.

Within the Bergen-Belsen displaced persons camp, a Yiddish theatre group emerged from the shadow of the Holocaust. Led by an experienced actor, writer, and director named Sami Feder, the Kazet Theatre continued a theatrical legacy established in the concentration camps and brought Yiddish performances to the DP camp. Feder first began the theatre when he was a prisoner in the Nazi camp system and named the troupe for the abbreviation for K-Z (a shortened form of concentration camp). In Belsen, the Kazet Theatre performed adaptions of traditional Eastern European plays and also featured members' original, often highly emotional songs, poetry, dances, and dramatic scenes based on their experiences during the Holocaust.

ISBN: 9781369728484Subjects--Topical Terms:

3174188
Holocaust studies.

The Kazet Theatre: A Bridge From Death to Life.
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520 $a Among Belsen's Jewish displaced persons community, the Kazet Theatre provided several important functions that helped DPs transition from victims to survivors. In the aftermath of the Holocaust, survivors struggled to process the deprivation, inhumane treatment, and immense loss they endured. With few other viable options, survivors remained in displaced persons camps until they regained a sense of their humanity and emigrated. As the largest group of displaced persons in many of the DP camps, Jews quickly forged communities in these temporary settings.
520 $a In Bergen-Belsen, the Kazet Theatre helped to reestablish social bonds and create a sense of community, which psychologists and trauma experts believe are essential steps for traumatic recovery. For the performers and crew members, the Kazet Theatre provided the opportunity to physically work through their trauma as they rehearsed, designed sets, and performed for eager audiences. The theatre's original works also allowed Holocaust survivors in the audience to safely access and begin to process their traumatic memories. Sami Feder's adaptations of classic Yiddish stories brought pre-war Jewish culture into the DP camps and introduced new messages designed specifically to raise the DPs' spirits. The Kazet Theatre performed a therapeutic function by bridging the survivors' memories and their potential futures.
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