東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Precious cut: A practice-based resea...

Saeidi, Elahe.

FindBook

Google Book

Amazon

博客來

Precious cut: A practice-based research toward zero-waste design by exploring creative pattern cutting methods and draping techniques.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Precious cut: A practice-based research toward zero-waste design by exploring creative pattern cutting methods and draping techniques./
作者:	Saeidi, Elahe.
面頁冊數:	80 p.
附註:	Source: Masters Abstracts International, Volume: 55-02.
Contained By:	Masters Abstracts International55-02(E).
標題:	Design. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1600897
ISBN:	9781339107066

Precious cut: A practice-based research toward zero-waste design by exploring creative pattern cutting methods and draping techniques.
Saeidi, Elahe.

Precious cut: A practice-based research toward zero-waste design by exploring creative pattern cutting methods and draping techniques. - 80 p.

Source: Masters Abstracts International, Volume: 55-02.

Thesis (M.S.)--The University of Alabama, 2015.

This item is not available from ProQuest Dissertations & Theses.

With the contemporary methods of fashion construction only effectively using 85 percent of fabric in a garment, 15 percent of the total fabric is left on the cutting room floor. This waste is leaving a "significant ecological footprint". This thesis is practice-based research to explore creative pattern cutting methods and draping techniques which lead to zero-waste designed garments. This thesis also demonstrates how pre-industrial societies treated fabric as a precious source, utilizing every piece of fabric to minimize waste. The environmental and ethical impact of producing textiles and why we should avoid the wasting of fabric are discussed. Investigations of different ways that fabric waste can be eliminated in the modern fashion industry and various methodological approaches toward zero-waste are examined: Jigsaw with fixed area, Jigsaw with the full width of fabric and tessellation. A new approach, Transformational Reconstruction, which is an innovative patternmaking technique developed by a Japanese designer - Shingo Sato, is examined and tested for its usefulness for zero-waste design. This study proposes that the fashion designer and pattern-cutter can have a great influence on the amount of fabric waste and, working as a team, are capable of producing garments without fabric waste and reducing the ecological footprint of modern apparel production.

ISBN: 9781339107066Subjects--Topical Terms:

518875
Design.

Precious cut: A practice-based research toward zero-waste design by exploring creative pattern cutting methods and draping techniques.
LDR:02372nmm a2200289 4500 001 2116254
005 20170417135104.5
008 180830s2015 ||||||||||||||||| ||eng d
020 $a 9781339107066
035 $a (MiAaPQ)AAI1600897
035 $a AAI1600897
040 $a MiAaPQ $c MiAaPQ
100 1 $a Saeidi, Elahe. $3 3277950
245 1 0 $a Precious cut: A practice-based research toward zero-waste design by exploring creative pattern cutting methods and draping techniques.
300 $a 80 p.
500 $a Source: Masters Abstracts International, Volume: 55-02.
500 $a Adviser: Virginia S. Wimberley.
502 $a Thesis (M.S.)--The University of Alabama, 2015.
506 $a This item is not available from ProQuest Dissertations & Theses.
520 $a With the contemporary methods of fashion construction only effectively using 85 percent of fabric in a garment, 15 percent of the total fabric is left on the cutting room floor. This waste is leaving a "significant ecological footprint". This thesis is practice-based research to explore creative pattern cutting methods and draping techniques which lead to zero-waste designed garments. This thesis also demonstrates how pre-industrial societies treated fabric as a precious source, utilizing every piece of fabric to minimize waste. The environmental and ethical impact of producing textiles and why we should avoid the wasting of fabric are discussed. Investigations of different ways that fabric waste can be eliminated in the modern fashion industry and various methodological approaches toward zero-waste are examined: Jigsaw with fixed area, Jigsaw with the full width of fabric and tessellation. A new approach, Transformational Reconstruction, which is an innovative patternmaking technique developed by a Japanese designer - Shingo Sato, is examined and tested for its usefulness for zero-waste design. This study proposes that the fashion designer and pattern-cutter can have a great influence on the amount of fabric waste and, working as a team, are capable of producing garments without fabric waste and reducing the ecological footprint of modern apparel production.
590 $a School code: 0004.
650 4 $a Design. $3 518875
650 4 $a Fashion. $3 549143
690 $a 0389
690 $a 0200
710 2 $a The University of Alabama. $b Cloth Textiles Interior Design. $3 3277951
773 0 $t Masters Abstracts International $g 55-02(E).
790 $a 0004
791 $a M.S.
792 $a 2015
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1600897