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Beyond The Screen: Bridging the Gap ...

Ursino, Maureen.

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Beyond The Screen: Bridging the Gap between Documentary Film and Audience to Enhance the Storytelling Experience.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Beyond The Screen: Bridging the Gap between Documentary Film and Audience to Enhance the Storytelling Experience./
作者:	Ursino, Maureen.
面頁冊數:	131 p.
附註:	Source: Masters Abstracts International, Volume: 55-05.
Contained By:	Masters Abstracts International55-05(E).
標題:	Design. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10125666
ISBN:	9781339837383

Beyond The Screen: Bridging the Gap between Documentary Film and Audience to Enhance the Storytelling Experience.
Ursino, Maureen.

Beyond The Screen: Bridging the Gap between Documentary Film and Audience to Enhance the Storytelling Experience. - 131 p.

Source: Masters Abstracts International, Volume: 55-05.

Thesis (M.A.)--The George Washington University, 2016.

Documentary film is a vital part of culture. It is a form of media that offers a way of better understanding, reasoning, inspiring, or even altering a world that is continually becoming more complex and complicated. These films are a tool that can empower people to change the world, sometimes in ways so significant that thousands of lives are bettered, but usually change happens in smaller ways -- ways that simply allow someone to follow their dreams or find the courage needed to face a difficult situation. However, there are boundaries between this medium and the audience. Where do audiences go to more deeply experience documentary film when feeling inspired by storytelling?

ISBN: 9781339837383Subjects--Topical Terms:

518875
Design.

Beyond The Screen: Bridging the Gap between Documentary Film and Audience to Enhance the Storytelling Experience.
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245 1 0 $a Beyond The Screen: Bridging the Gap between Documentary Film and Audience to Enhance the Storytelling Experience.
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500 $a Adviser: Benjamin Ames.
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520 $a Documentary film is a vital part of culture. It is a form of media that offers a way of better understanding, reasoning, inspiring, or even altering a world that is continually becoming more complex and complicated. These films are a tool that can empower people to change the world, sometimes in ways so significant that thousands of lives are bettered, but usually change happens in smaller ways -- ways that simply allow someone to follow their dreams or find the courage needed to face a difficult situation. However, there are boundaries between this medium and the audience. Where do audiences go to more deeply experience documentary film when feeling inspired by storytelling?
520 $a With the belief that design can act as a platform to create a space that fosters shared experience, this thesis proposes the design of a documentary production studio that serves two primary functions. The first is simply the function of a production house that produces documentary film. The second, and more relevant function, is a space where viewers can go to more deeply experience narrative; a three dimensional space where audiences can attend events that allow them to move from passive viewer to active participant.
520 $a The written thesis is organized into four main chapters. Chapter 1 introduces the premise of the issue and why it was pursued. Chapter 2 presents research on documentary film. It explores and highlights significant milestones of this medium's theory and history, provides an analysis of documentary film in the 21st century, and ends with a study of the technical production of the documentary. Chapter 3 documents how this thesis is translated into a functional interior space. A holistic analysis is provided for the programming, site selection, materiality, and overall methodology of the production studio. Chapter 4 offers a reflection of the project, including successes and lessons learned, while also providing brief guidance on how this program could be translated into other interior spaces.
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