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Musical Assemblies: How Early Christ...

Weimer, Jade Brooklyn.

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Musical Assemblies: How Early Christian music functioned as a Rhetorical Topos, a Mechanism of Recruitment, and a Fundamental Marker of an Emerging Christian Identity.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Musical Assemblies: How Early Christian music functioned as a Rhetorical Topos, a Mechanism of Recruitment, and a Fundamental Marker of an Emerging Christian Identity./
作者:	Weimer, Jade Brooklyn.
面頁冊數:	262 p.
附註:	Source: Dissertation Abstracts International, Volume: 78-01(E), Section: A.
Contained By:	Dissertation Abstracts International78-01A(E).
標題:	Religious history. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10140883
ISBN:	9781339962788

Musical Assemblies: How Early Christian music functioned as a Rhetorical Topos, a Mechanism of Recruitment, and a Fundamental Marker of an Emerging Christian Identity.
Weimer, Jade Brooklyn.

Musical Assemblies: How Early Christian music functioned as a Rhetorical Topos, a Mechanism of Recruitment, and a Fundamental Marker of an Emerging Christian Identity. - 262 p.

Source: Dissertation Abstracts International, Volume: 78-01(E), Section: A.

Thesis (Ph.D.)--University of Toronto (Canada), 2016.

This dissertation examines the various ways in which early Christ-followers incorporated music into their religious discourse and ritual practice. Scholars have primarily focused on two particular areas of inquiry: the cultural and religious 'origins' of early Christian music and the history of music within the context of church liturgy. Music, however, played a much greater role within Christian assemblies than simply existing as part of religious liturgy. I contend that music helped shape an emerging Christian identity within early Christ-following assemblies and collective singing became a vital component in defining in-group and out-group boundaries. Early Christian writings also demonstrate that hymn compositions were used as pedagogical tools, rhetorical devices, and mechanisms of recruitment to attract new members.

ISBN: 9781339962788Subjects--Topical Terms:

2122824
Religious history.

Musical Assemblies: How Early Christian music functioned as a Rhetorical Topos, a Mechanism of Recruitment, and a Fundamental Marker of an Emerging Christian Identity.
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245 1 0 $a Musical Assemblies: How Early Christian music functioned as a Rhetorical Topos, a Mechanism of Recruitment, and a Fundamental Marker of an Emerging Christian Identity.
300 $a 262 p.
500 $a Source: Dissertation Abstracts International, Volume: 78-01(E), Section: A.
500 $a Adviser: John S. Kloppenborg.
502 $a Thesis (Ph.D.)--University of Toronto (Canada), 2016.
520 $a This dissertation examines the various ways in which early Christ-followers incorporated music into their religious discourse and ritual practice. Scholars have primarily focused on two particular areas of inquiry: the cultural and religious 'origins' of early Christian music and the history of music within the context of church liturgy. Music, however, played a much greater role within Christian assemblies than simply existing as part of religious liturgy. I contend that music helped shape an emerging Christian identity within early Christ-following assemblies and collective singing became a vital component in defining in-group and out-group boundaries. Early Christian writings also demonstrate that hymn compositions were used as pedagogical tools, rhetorical devices, and mechanisms of recruitment to attract new members.
520 $a I begin by examining Greco-Roman and Jewish primary source materials that reference or describe the nature of musical practice in antiquity in order to contextualize my study of musical references in early Christian texts. The next section utilizes recent developments in cognitive science to illustrate the importance of collective singing in establishing a group identity, creating cohesive social bonds, and evoking particular emotional responses. I apply this methodological approach, along with a socio-historical lens, to a variety of early Christian texts in order to argue that collective singing functioned as a critical medium in which early Christian authorities formulated their identity and defined the boundaries of 'correct' and 'incorrect' religious thought and practice. The melodies and lyrics used by some assemblies functioned as a rhetorical medium to denounce out-group theologies and practices while simultaneously operating as an instrument of recruitment. This study concludes that collective singing played a previously unidentified role in the success of early Christianity as a social movement through mechanisms of identity formation, social bonding, and recruitment of new members.
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