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Social medium: Virtual vs. actual re...

Blumberg, Nina Carol.

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Social medium: Virtual vs. actual realities in post-internet art An exhibition catalogue essay.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Social medium: Virtual vs. actual realities in post-internet art An exhibition catalogue essay./
作者:	Blumberg, Nina Carol.
面頁冊數:	58 p.
附註:	Source: Masters Abstracts International, Volume: 55-05.
Contained By:	Masters Abstracts International55-05(E).
標題:	Art history. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10126691
ISBN:	9781339847306

Social medium: Virtual vs. actual realities in post-internet art An exhibition catalogue essay.
Blumberg, Nina Carol.

Social medium: Virtual vs. actual realities in post-internet art An exhibition catalogue essay. - 58 p.

Source: Masters Abstracts International, Volume: 55-05.

Thesis (M.A.)--Fashion Institute of Technology, State University of New York, 2015.

This paper will serve as the catalogue essay for a proposed exhibition entitled "Social Medium: Virtual vs. Actual Realities in Post-Internet Art." The exhibition consists of nine contemporary artists: Man Bartlett, Erik Carter, Sean Fader, Tyler Madsen, Jillian Mayer, Jean-Baptiste Michel, Kasia Molga, Lais Pontes, and Amalia Ulman. These artists all make works that employ social media networks, such as Facebook, Instagram, or Twitter. This catalogue essay will situate this newer genre of "social media art" within a larger art historical context of participatory art---specifically relational art of the 90s.

ISBN: 9781339847306Subjects--Topical Terms:

2122701
Art history.

Social medium: Virtual vs. actual realities in post-internet art An exhibition catalogue essay.
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245 1 0 $a Social medium: Virtual vs. actual realities in post-internet art An exhibition catalogue essay.
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500 $a Adviser: John Tyson.
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520 $a This paper will serve as the catalogue essay for a proposed exhibition entitled "Social Medium: Virtual vs. Actual Realities in Post-Internet Art." The exhibition consists of nine contemporary artists: Man Bartlett, Erik Carter, Sean Fader, Tyler Madsen, Jillian Mayer, Jean-Baptiste Michel, Kasia Molga, Lais Pontes, and Amalia Ulman. These artists all make works that employ social media networks, such as Facebook, Instagram, or Twitter. This catalogue essay will situate this newer genre of "social media art" within a larger art historical context of participatory art---specifically relational art of the 90s.
520 $a My analysis of these social media artworks considers the ways projects respectively relate to changing societal perceptions of gender and identity, issues with appropriation and authorship, and new methods of engagement and interaction between the artists and their audiences. It also is important to note that all of the works have aspects that ground them in the physical world, whether it be the art object, the artist's own body in the gallery space, or a physical interaction with the viewers. All of the works provocatively explore the interplay between virtual spaces and the actual, physical world. These artworks prompt us to consider the way digital media platforms impact our social relations and are threaded through our lives.
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