東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Transformations of a Hungry Cinema: ...

Herrera, Juan Carlos Arias.

FindBook

Google Book

Amazon

博客來

Transformations of a Hungry Cinema: Images and Visibility of Hunger in Brazilian Cinema 1960s-2000s.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Transformations of a Hungry Cinema: Images and Visibility of Hunger in Brazilian Cinema 1960s-2000s./
作者:	Herrera, Juan Carlos Arias.
面頁冊數:	293 p.
附註:	Source: Dissertation Abstracts International, Volume: 77-08(E), Section: A.
Contained By:	Dissertation Abstracts International77-08A(E).
標題:	Film studies. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10089624
ISBN:	9781339594316

Transformations of a Hungry Cinema: Images and Visibility of Hunger in Brazilian Cinema 1960s-2000s.
Herrera, Juan Carlos Arias.

Transformations of a Hungry Cinema: Images and Visibility of Hunger in Brazilian Cinema 1960s-2000s. - 293 p.

Source: Dissertation Abstracts International, Volume: 77-08(E), Section: A.

Thesis (Ph.D.)--University of Illinois at Chicago, 2015.

This dissertation analyzes the visibility of hunger in film---from the Cinema Novo movement of the 1960s to contemporary productions. It follows the discursive transformations of hunger as a key trope in the development of Brazilian cinema, highlighting hunger's role as a central motif---not only as the subject of specific films, but also as a place of reflection on the processes of the representation of marginality. I call hunger a trope to stress that it has not simply been the topic of films, nor an ethereal metaphor to rhetorically describe a socially committed cinema. Instead, the term hunger delineates a complex semantic field that includes several discursive strategies and artistic/political practices: it is a concept as well as a metaphor, a material reality, and an aesthetic principle.

ISBN: 9781339594316Subjects--Topical Terms:

2122736
Film studies.

Transformations of a Hungry Cinema: Images and Visibility of Hunger in Brazilian Cinema 1960s-2000s.
LDR:02531nmm a2200265 4500 001 2115963
005 20170417092333.5
008 180830s2015 ||||||||||||||||| ||eng d
020 $a 9781339594316
035 $a (MiAaPQ)AAI10089624
035 $a AAI10089624
040 $a MiAaPQ $c MiAaPQ
100 1 $a Herrera, Juan Carlos Arias. $3 3277639
245 1 0 $a Transformations of a Hungry Cinema: Images and Visibility of Hunger in Brazilian Cinema 1960s-2000s.
300 $a 293 p.
500 $a Source: Dissertation Abstracts International, Volume: 77-08(E), Section: A.
502 $a Thesis (Ph.D.)--University of Illinois at Chicago, 2015.
520 $a This dissertation analyzes the visibility of hunger in film---from the Cinema Novo movement of the 1960s to contemporary productions. It follows the discursive transformations of hunger as a key trope in the development of Brazilian cinema, highlighting hunger's role as a central motif---not only as the subject of specific films, but also as a place of reflection on the processes of the representation of marginality. I call hunger a trope to stress that it has not simply been the topic of films, nor an ethereal metaphor to rhetorically describe a socially committed cinema. Instead, the term hunger delineates a complex semantic field that includes several discursive strategies and artistic/political practices: it is a concept as well as a metaphor, a material reality, and an aesthetic principle.
520 $a Although it seems extremely easy to define something that we all, in different ways, have experienced, I argue that hunger is not a transparent reality, but a flexible notion shaped through a series of discourses and representations that respond to specific needs and interests. In contrast to our ingrained belief in the univocal nature of the term hunger, this word actually designates a complex network of biological, psychological, social, economic, political, and even aesthetic realities. I propose that a series of films throughout the history of Brazilian cinema have preserved that ambiguous and irreducible character of hunger instead of having transformed it into a digestible topic. Through the trope of hunger, Brazilian cinema has created a way to think of that that cannot be digested: the reality of hunger, misery and underdevelopment in Brazil.
590 $a School code: 0799.
650 4 $a Film studies. $3 2122736
690 $a 0900
710 2 $a University of Illinois at Chicago. $b Art History. $3 3277640
773 0 $t Dissertation Abstracts International $g 77-08A(E).
790 $a 0799
791 $a Ph.D.
792 $a 2015
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10089624