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Negotiating with the dead : = a writ...
~
Atwood, Margaret, (1939-)
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Negotiating with the dead : = a writer on writing /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Negotiating with the dead :/ Margaret Atwood.
其他題名:
a writer on writing /
作者:
Atwood, Margaret,
出版者:
Cambridge, U.K. ;Cambridge University Press, : 2002.,
面頁冊數:
xxvii, 219 p. :ill ;21 cm.
標題:
Authorship. -
ISBN:
0521662605
Negotiating with the dead : = a writer on writing /
Atwood, Margaret,1939-
Negotiating with the dead :
a writer on writing /Margaret Atwood. - Cambridge, U.K. ;Cambridge University Press,2002. - xxvii, 219 p. :ill ;21 cm.
Includes bibliographical references (p. 198-207) and index.
Introduction : Into the labyrinth --
What is the role of the writer? Prophet? High Priest of Art? Court Jester? Or witness to the real world? Looking back on her own childhood and writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain - or excuse! - their activities, looking at what costumes they have assumed, what roles they have chosen to play. In her final chapter she takes up the challenge of the title: if a writer is to be seen as 'gifted', who is doing the giving and what are the terms of the gift? Margaret Atwood's wide reference to other writers is balanced by anecdotes from her own experiences, both in Canada and on the international scene. The lightness of her touch is underlined by a seriousness about the purpose and the pleasures of writing, and by a deep familiarity with the myths and traditions of Western literature.
ISBN: 0521662605
LCCN: 2001025135Subjects--Personal Names:
982431
Atwood, Margaret,
1939-Subjects--Topical Terms:
529425
Authorship.
LC Class. No.: PR9199.3.A8 / .N43 2002
Negotiating with the dead : = a writer on writing /
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Includes bibliographical references (p. 198-207) and index.
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Introduction : Into the labyrinth --
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Orientation : who do you think you are? (What is "a writer," and how did I become one?) --
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Duplicity : the jekyll hand, the hyde hand, and the slippery double (Why there are always two) --
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Dedication : The great god pen (Apollo vs. Mammon: at whose altar should the writer worship?) --
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Temptation : Prospero, the Wizard of Oz, Mephisto & co. (Who waves the wand, pulls the strings, or signs the Devil's book?) --
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Communion : nobody to nobody (the eternal triangle: the writer, the reader, and the book as go-between) --
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Descent : Negotiating with the dead (Who makes the trip to the Underworld, and why?).
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What is the role of the writer? Prophet? High Priest of Art? Court Jester? Or witness to the real world? Looking back on her own childhood and writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain - or excuse! - their activities, looking at what costumes they have assumed, what roles they have chosen to play. In her final chapter she takes up the challenge of the title: if a writer is to be seen as 'gifted', who is doing the giving and what are the terms of the gift? Margaret Atwood's wide reference to other writers is balanced by anecdotes from her own experiences, both in Canada and on the international scene. The lightness of her touch is underlined by a seriousness about the purpose and the pleasures of writing, and by a deep familiarity with the myths and traditions of Western literature.
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562517
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