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Haunting modernisms = ghostly aesthe...
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Foley, Matt.
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Haunting modernisms = ghostly aesthetics, mourning, and spectral resistance fantasies in literary modernism /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Haunting modernisms/ by Matt Foley.
其他題名:
ghostly aesthetics, mourning, and spectral resistance fantasies in literary modernism /
作者:
Foley, Matt.
出版者:
Cham :Springer International Publishing : : 2017.,
面頁冊數:
xii, 222 p. :ill., digital ;24 cm.
內容註:
1. Introduction: modernism, mourning, and the ghostly -- 2. Haunted images, deadness, and impossible mourning -- 3. Melancholia and the dead in T. S. Eliot's aesthetics of purgatory -- 4. Pursuing the phantom in Woolf's aesthetics of survival -- 5. The gaze in Elizabeth Bowen's spectral resistance fantasies -- 6. The blood consciousness and Lawrence's silent ghosts -- 7. Conclusion: The other/Other and locating the ghostly -- Index.
Contained By:
Springer eBooks
標題:
Ghosts in literature. -
電子資源:
http://dx.doi.org/10.1007/978-3-319-65485-0
ISBN:
9783319654850
Haunting modernisms = ghostly aesthetics, mourning, and spectral resistance fantasies in literary modernism /
Foley, Matt.
Haunting modernisms
ghostly aesthetics, mourning, and spectral resistance fantasies in literary modernism /[electronic resource] :by Matt Foley. - Cham :Springer International Publishing :2017. - xii, 222 p. :ill., digital ;24 cm.
1. Introduction: modernism, mourning, and the ghostly -- 2. Haunted images, deadness, and impossible mourning -- 3. Melancholia and the dead in T. S. Eliot's aesthetics of purgatory -- 4. Pursuing the phantom in Woolf's aesthetics of survival -- 5. The gaze in Elizabeth Bowen's spectral resistance fantasies -- 6. The blood consciousness and Lawrence's silent ghosts -- 7. Conclusion: The other/Other and locating the ghostly -- Index.
This book is about haunting in modernist literature. Offering an extended and textually-sensitive reading of modernist spectrality that has yet to be undertaken by scholars of either haunting or modernism, it provides a fresh reconceptualization of modernist haunting by synthesizing recent critical work in the fields of haunting studies, Gothic modernisms, and mourning modernisms. The chapters read the form and function of the ghostly as it appears in the work of a constellation of important modernist contributors, including T. S. Eliot, Virginia Woolf, D. H. Lawrence, Elizabeth Bowen, Wyndham Lewis, Richard Aldington, and Ford Madox Ford. It is of particular significance to scholars and students in a wide range of fields of study, including modernism, literary theory, and the Gothic.
ISBN: 9783319654850
Standard No.: 10.1007/978-3-319-65485-0doiSubjects--Topical Terms:
708738
Ghosts in literature.
LC Class. No.: PN56.S8
Dewey Class. No.: 809.2915
Haunting modernisms = ghostly aesthetics, mourning, and spectral resistance fantasies in literary modernism /
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1. Introduction: modernism, mourning, and the ghostly -- 2. Haunted images, deadness, and impossible mourning -- 3. Melancholia and the dead in T. S. Eliot's aesthetics of purgatory -- 4. Pursuing the phantom in Woolf's aesthetics of survival -- 5. The gaze in Elizabeth Bowen's spectral resistance fantasies -- 6. The blood consciousness and Lawrence's silent ghosts -- 7. Conclusion: The other/Other and locating the ghostly -- Index.
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This book is about haunting in modernist literature. Offering an extended and textually-sensitive reading of modernist spectrality that has yet to be undertaken by scholars of either haunting or modernism, it provides a fresh reconceptualization of modernist haunting by synthesizing recent critical work in the fields of haunting studies, Gothic modernisms, and mourning modernisms. The chapters read the form and function of the ghostly as it appears in the work of a constellation of important modernist contributors, including T. S. Eliot, Virginia Woolf, D. H. Lawrence, Elizabeth Bowen, Wyndham Lewis, Richard Aldington, and Ford Madox Ford. It is of particular significance to scholars and students in a wide range of fields of study, including modernism, literary theory, and the Gothic.
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