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American art since 1945 /
~
Joselit, David.
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American art since 1945 /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
American art since 1945 // David Joselit.
作者:
Joselit, David.
出版者:
London :Thames & Hudson, : 2003.,
面頁冊數:
256 p. :ill. (some col.) ;21 cm.
標題:
Art, American - Themes, motives. - 20th century -
ISBN:
0500203687
American art since 1945 /
Joselit, David.
American art since 1945 /
David Joselit. - London :Thames & Hudson,2003. - 256 p. :ill. (some col.) ;21 cm. - World of art.. - World of art..
Includes bibliographical references (p. 246-249) and index.
The private gesture in public : art of the New York school --
"No other introductory book presents the diversity and complexity of postwar American art from Abstract Expressionism to the present as clearly and succinctly as this groundbreaking survey. David Joselit traces and analyzes the often contradictory formal, ideological and political conditions during this period that made American art predominant throughout the world." "Social and cultural transformations rooted in mass media technologies - photography, television, video and the internet - elevated consumer commodities to the status of legitimate art subjects, as in Pop and Installation art, and also brought about a mechanization of the creative art. Canonical movements and figures are discussed - Pollock, Rothko, Krasner, Oldenburg, Johns, Warhol, Paik, Ruscha, Sherman, Holzer, Koons and Barney - in juxtaposition with lesser known contemporary artist and practices."--Jacket.
ISBN: 0500203687
LCCN: 2002109021Subjects--Topical Terms:
3254182
Art, American
--Themes, motives.--20th centuryIndex Terms--Genre/Form:
2026783
History.
LC Class. No.: N6512 / .J68 2003
Dewey Class. No.: 709.7309045
American art since 1945 /
LDR
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Includes bibliographical references (p. 246-249) and index.
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"No other introductory book presents the diversity and complexity of postwar American art from Abstract Expressionism to the present as clearly and succinctly as this groundbreaking survey. David Joselit traces and analyzes the often contradictory formal, ideological and political conditions during this period that made American art predominant throughout the world." "Social and cultural transformations rooted in mass media technologies - photography, television, video and the internet - elevated consumer commodities to the status of legitimate art subjects, as in Pop and Installation art, and also brought about a mechanization of the creative art. Canonical movements and figures are discussed - Pollock, Rothko, Krasner, Oldenburg, Johns, Warhol, Paik, Ruscha, Sherman, Holzer, Koons and Barney - in juxtaposition with lesser known contemporary artist and practices."--Jacket.
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