東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

The aesthetics of dress

King, Ian.

FindBook

Google Book

Amazon

博客來

The aesthetics of dress

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The aesthetics of dress/ by Ian King.
作者:	King, Ian.
出版者:	Cham :Springer International Publishing : : 2017.,
面頁冊數:	xiii, 77 p. :ill., digital ;24 cm.
內容註:	Introduction -- Aesthetics and the Everyday -- The Aesthetics of Dress -- Discussion.
Contained By:	Springer eBooks
標題:	Human body (Philosophy) -
電子資源:	http://dx.doi.org/10.1007/978-3-319-54322-2
ISBN:	9783319543222

The aesthetics of dress
King, Ian.

The aesthetics of dress[electronic resource] /by Ian King. - Cham :Springer International Publishing :2017. - xiii, 77 p. :ill., digital ;24 cm. - SpringerBriefs in philosophy,2211-4548. - SpringerBriefs in philosophy..

Introduction -- Aesthetics and the Everyday -- The Aesthetics of Dress -- Discussion.

This book explores the relationships between how the body appears and feels in everyday life through aesthetics. The recent shift away from Kantian aesthetics towards a more enacted route places at its core the realization that the world is experienced as possibilities for action, and critical to this understanding is how the body's movement generates multiple pre-linguistic experiences and meaning. This route therefore realizes the importance of the body's role in working in conjunction with cognition in generating these experiences. Nevertheless, this attention has predominantly focused on how the body 'feels' through engagement, rather than how it appears. This might be problematic as it is essential to appreciate that the body is not naked in everyday life, and therefore through dress we look to restore the balance between appearance and feel. We 'dress' our bodies to communicate - to express our confidence (or not), identity, status, aspirations, affiliations etc. We dress according to the situation/audience etc. It might be to attract attention, to protect or to hide the body. It might be to accentuate height, or religious belief, or simply to shock or conform. Essentially, it is not simply clothing that we wear that achieves this - for example, hair, makeup, jewellery, handbags, shoes, piercings, tattoos - cumulatively these constitute how we 'dress' our bodies. Thus, the appearance (as well as the feel) of the body is significant if we are to appreciate an enacted approach to aesthetics.

ISBN: 9783319543222

Standard No.: 10.1007/978-3-319-54322-2doiSubjects--Topical Terms:

928387
Human body (Philosophy)

LC Class. No.: B105.B64 / K56 2017

Dewey Class. No.: 128.6

The aesthetics of dress
LDR:02566nmm a2200325 a 4500 001 2093208
003 DE-He213
005 20170323105755.0
006 m d
007 cr nn 008maaau
008 171117s2017 gw s 0 eng d
020 $a 9783319543222 $q (electronic bk.)
020 $a 9783319543215 $q (paper)
024 7 $a 10.1007/978-3-319-54322-2 $2 doi
035 $a 978-3-319-54322-2
040 $a GP $c GP
041 0 $a eng
050 4 $a B105.B64 $b K56 2017
072 7 $a HPN $2 bicssc
072 7 $a PHI001000 $2 bisacsh
082 0 4 $a 128.6 $2 23
090 $a B105.B64 $b K52 2017
100 1 $a King, Ian. $3 3227834
245 1 4 $a The aesthetics of dress $h [electronic resource] / $c by Ian King.
260 $a Cham : $b Springer International Publishing : $b Imprint: Springer, $c 2017.
300 $a xiii, 77 p. : $b ill., digital ; $c 24 cm.
490 1 $a SpringerBriefs in philosophy, $x 2211-4548
505 0 $a Introduction -- Aesthetics and the Everyday -- The Aesthetics of Dress -- Discussion.
520 $a This book explores the relationships between how the body appears and feels in everyday life through aesthetics. The recent shift away from Kantian aesthetics towards a more enacted route places at its core the realization that the world is experienced as possibilities for action, and critical to this understanding is how the body's movement generates multiple pre-linguistic experiences and meaning. This route therefore realizes the importance of the body's role in working in conjunction with cognition in generating these experiences. Nevertheless, this attention has predominantly focused on how the body 'feels' through engagement, rather than how it appears. This might be problematic as it is essential to appreciate that the body is not naked in everyday life, and therefore through dress we look to restore the balance between appearance and feel. We 'dress' our bodies to communicate - to express our confidence (or not), identity, status, aspirations, affiliations etc. We dress according to the situation/audience etc. It might be to attract attention, to protect or to hide the body. It might be to accentuate height, or religious belief, or simply to shock or conform. Essentially, it is not simply clothing that we wear that achieves this - for example, hair, makeup, jewellery, handbags, shoes, piercings, tattoos - cumulatively these constitute how we 'dress' our bodies. Thus, the appearance (as well as the feel) of the body is significant if we are to appreciate an enacted approach to aesthetics.
650 0 $a Human body (Philosophy) $3 928387
650 1 4 $a Philosophy. $3 516511
650 2 4 $a Aesthetics. $3 523036
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer eBooks
830 0 $a SpringerBriefs in philosophy. $3 1568619
856 4 0 $u http://dx.doi.org/10.1007/978-3-319-54322-2
950 $a Religion and Philosophy (Springer-41175)