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Postcolonialism and postsocialism in...
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Tlostanova, Madina.
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Postcolonialism and postsocialism in fiction and art = resistance and re-existence /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Postcolonialism and postsocialism in fiction and art/ by Madina Tlostanova.
其他題名:
resistance and re-existence /
作者:
Tlostanova, Madina.
出版者:
Cham :Springer International Publishing : : 2017.,
面頁冊數:
xi, 224 p. :ill., digital ;24 cm.
內容註:
Prologue -- Introduction. A leap into the void? -- 1. How to disengage from the coloniality of perception -- 2. Decolonial art in Eurasian borderlands -- 3. Decolonizing the museum -- 4. Postsocialist/Postcolonial tempo-localities -- 5. Tricksters, Jesters, Qalandars -- 6. Coloniality of memory at the postcolonial/postsocialist juncture -- Afterword. An open finale -- Bibliography.
Contained By:
Springer eBooks
標題:
Postcolonialism and the arts - Europe, Eastern. -
電子資源:
http://dx.doi.org/10.1007/978-3-319-48445-7
ISBN:
9783319484457
Postcolonialism and postsocialism in fiction and art = resistance and re-existence /
Tlostanova, Madina.
Postcolonialism and postsocialism in fiction and art
resistance and re-existence /[electronic resource] :by Madina Tlostanova. - Cham :Springer International Publishing :2017. - xi, 224 p. :ill., digital ;24 cm.
Prologue -- Introduction. A leap into the void? -- 1. How to disengage from the coloniality of perception -- 2. Decolonial art in Eurasian borderlands -- 3. Decolonizing the museum -- 4. Postsocialist/Postcolonial tempo-localities -- 5. Tricksters, Jesters, Qalandars -- 6. Coloniality of memory at the postcolonial/postsocialist juncture -- Afterword. An open finale -- Bibliography.
This book tackles the intersections of postcolonial and postsocialist imaginaries and sensibilities focusing on the ways they are reflected in contemporary art, fiction, theater and cinema. After the defeat of the Socialist modernity the postsocialist space and its people have found themselves in the void. Many elements of the former Second world experience, echo the postcolonial situations, including subalternization, epistemic racism, mimicry, unhomedness and transit, the revival of ethnic nationalisms and neo-imperial narratives, neo-Orientalist and mutant Eurocentric tendencies, indirect forms of resistance and life-asserting modes of re-existence. Yet there are also untranslatable differences between the postcolonial and the postsocialist human conditions. The monograph focuses on the aesthetic principles and mechanisms of sublime, the postsocialist/postcolonial decolonization of museums, the perception and representation of space and time through the tempolocalities of post-dependence, the anatomy of characters-tricksters with shifting multiple identities, the memory politics of the post-traumatic conditions and ways of their overcoming.
ISBN: 9783319484457
Standard No.: 10.1007/978-3-319-48445-7doiSubjects--Topical Terms:
3221940
Postcolonialism and the arts
--Europe, Eastern.
LC Class. No.: NX180.P67 / T56 2017
Dewey Class. No.: 700.103
Postcolonialism and postsocialism in fiction and art = resistance and re-existence /
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Prologue -- Introduction. A leap into the void? -- 1. How to disengage from the coloniality of perception -- 2. Decolonial art in Eurasian borderlands -- 3. Decolonizing the museum -- 4. Postsocialist/Postcolonial tempo-localities -- 5. Tricksters, Jesters, Qalandars -- 6. Coloniality of memory at the postcolonial/postsocialist juncture -- Afterword. An open finale -- Bibliography.
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This book tackles the intersections of postcolonial and postsocialist imaginaries and sensibilities focusing on the ways they are reflected in contemporary art, fiction, theater and cinema. After the defeat of the Socialist modernity the postsocialist space and its people have found themselves in the void. Many elements of the former Second world experience, echo the postcolonial situations, including subalternization, epistemic racism, mimicry, unhomedness and transit, the revival of ethnic nationalisms and neo-imperial narratives, neo-Orientalist and mutant Eurocentric tendencies, indirect forms of resistance and life-asserting modes of re-existence. Yet there are also untranslatable differences between the postcolonial and the postsocialist human conditions. The monograph focuses on the aesthetic principles and mechanisms of sublime, the postsocialist/postcolonial decolonization of museums, the perception and representation of space and time through the tempolocalities of post-dependence, the anatomy of characters-tricksters with shifting multiple identities, the memory politics of the post-traumatic conditions and ways of their overcoming.
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