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Colonial Literature and the Native A...

Stafford, Jane.

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Colonial Literature and the Native Author = Indigeneity and Empire /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Colonial Literature and the Native Author/ by Jane Stafford.
其他題名:	Indigeneity and Empire /
作者:	Stafford, Jane.
出版者:	Cham :Springer International Publishing : : 2016.,
面頁冊數:	xii, 254 p. :digital ;22 cm.
內容註:	1. Introduction: 'I adopt the language of the poet' -- 2. Littleness, Frivolity, and Vedic Simplicity: Toru Dutt, Sarojini Naidu, and Mr Gosse -- 3. 'Constant reading after office hours': Sol Plaatje and Literary Belonging -- 4. 'The genuine stamp of truth and nature': voicing The History of Mary Prince -- 5. 'Culture's artificial note': E. Pauline Johnson, Tekahionwake, and her Audiences -- 6. 'Pressed down by the great words of others': Wiremu Te Rangikaheke and Apirana Ngata -- 7. Conclusion: Secret Fountains and Authentic Utterance -- Bibliography -- Index.
Contained By:	Springer eBooks
標題:	Indigenous authors. -
標題:	Great Britain - Literary collections - Colonies -
電子資源:	http://dx.doi.org/10.1007/978-3-319-38767-3
ISBN:	9783319387673

Colonial Literature and the Native Author = Indigeneity and Empire /
Stafford, Jane.

Colonial Literature and the Native AuthorIndigeneity and Empire /[electronic resource] :by Jane Stafford. - Cham :Springer International Publishing :2016. - xii, 254 p. :digital ;22 cm.

1. Introduction: 'I adopt the language of the poet' -- 2. Littleness, Frivolity, and Vedic Simplicity: Toru Dutt, Sarojini Naidu, and Mr Gosse -- 3. 'Constant reading after office hours': Sol Plaatje and Literary Belonging -- 4. 'The genuine stamp of truth and nature': voicing The History of Mary Prince -- 5. 'Culture's artificial note': E. Pauline Johnson, Tekahionwake, and her Audiences -- 6. 'Pressed down by the great words of others': Wiremu Te Rangikaheke and Apirana Ngata -- 7. Conclusion: Secret Fountains and Authentic Utterance -- Bibliography -- Index.

This book is the first study of writers who are both Victorian and indigenous, who have been educated in and write in terms of Victorian literary conventions, but whose indigenous affiliation is part of their literary personae and subject matter. What happens when the colonised, indigenous, or 'native' subject learns to write in the literary language of empire? If the romanticised subject of colonial literature becomes the author, is a new kind of writing produced, or does the native author conform to the models of the coloniser? By investigating the ways that nineteenth-century concerns are adopted, accommodated, rewritten, challenged, re-inscribed, confronted, or assimilated in the work of these authors, this study presents a novel examination of the nature of colonial literary production and indigenous authorship, as well as suggesting to the discipline of colonial and postcolonial studies a perhaps unsettling perspective with which to look at the larger patterns of Victorian cultural and literary formation.

ISBN: 9783319387673

Standard No.: 10.1007/978-3-319-38767-3doiSubjects--Topical Terms:

3206102
Indigenous authors.
Subjects--Geographical Terms:

3206101
Great Britain
--Colonies--Literary collections

LC Class. No.: PN51 / .S734 2016

Dewey Class. No.: 809.93358

Colonial Literature and the Native Author = Indigeneity and Empire /
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505 0 $a 1. Introduction: 'I adopt the language of the poet' -- 2. Littleness, Frivolity, and Vedic Simplicity: Toru Dutt, Sarojini Naidu, and Mr Gosse -- 3. 'Constant reading after office hours': Sol Plaatje and Literary Belonging -- 4. 'The genuine stamp of truth and nature': voicing The History of Mary Prince -- 5. 'Culture's artificial note': E. Pauline Johnson, Tekahionwake, and her Audiences -- 6. 'Pressed down by the great words of others': Wiremu Te Rangikaheke and Apirana Ngata -- 7. Conclusion: Secret Fountains and Authentic Utterance -- Bibliography -- Index.
520 $a This book is the first study of writers who are both Victorian and indigenous, who have been educated in and write in terms of Victorian literary conventions, but whose indigenous affiliation is part of their literary personae and subject matter. What happens when the colonised, indigenous, or 'native' subject learns to write in the literary language of empire? If the romanticised subject of colonial literature becomes the author, is a new kind of writing produced, or does the native author conform to the models of the coloniser? By investigating the ways that nineteenth-century concerns are adopted, accommodated, rewritten, challenged, re-inscribed, confronted, or assimilated in the work of these authors, this study presents a novel examination of the nature of colonial literary production and indigenous authorship, as well as suggesting to the discipline of colonial and postcolonial studies a perhaps unsettling perspective with which to look at the larger patterns of Victorian cultural and literary formation.
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