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Tension in 18th century Chinese pain...

Maraun, Timothy Fritz.

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Tension in 18th century Chinese painting.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Tension in 18th century Chinese painting./
作者:	Maraun, Timothy Fritz.
面頁冊數:	206 p.
附註:	Source: Masters Abstracts International, Volume: 30-04, page: 9350.
Contained By:	Masters Abstracts International30-04.
標題:	Art history. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=MM64066
ISBN:	9780315640665

Tension in 18th century Chinese painting.
Maraun, Timothy Fritz.

Tension in 18th century Chinese painting. - 206 p.

Source: Masters Abstracts International, Volume: 30-04, page: 9350.

Thesis (M.A.)--The University of British Columbia (Canada), 1990.

In order to explain historical tensions in eighteenth century Chinese paintings, I combine a biographical (Chinese) approach with a contextual approach (Western) in a study of two different scholar painters, Zheng Xie and Li Shan. I juxtapose biographical sources with artworks, and less official writings relating Zheng Xie and Li Shan, in order to describe the tensions involved in painting for the literatus within the merchant culture of Yangzhou.

ISBN: 9780315640665Subjects--Topical Terms:

2122701
Art history.

Tension in 18th century Chinese painting.
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520 $a In order to explain historical tensions in eighteenth century Chinese paintings, I combine a biographical (Chinese) approach with a contextual approach (Western) in a study of two different scholar painters, Zheng Xie and Li Shan. I juxtapose biographical sources with artworks, and less official writings relating Zheng Xie and Li Shan, in order to describe the tensions involved in painting for the literatus within the merchant culture of Yangzhou.
520 $a These tensions existed between the literatus' expected status and that granted him, between his ideal of the role of painting in the scholar's life and the implications of commercial painting, and between his emphasis upon poetry and his popularity as a painter. In all cases, the tensions in eighteenth century literati painting arise from the difficult relationship between the painter and patron, and between the painter and the ideas of a broader public. The lack of a clear definition of "scholar" and "scholar painting" amongst literati illustrates the literatus' loss of control over the definition of his lifestyle. (Abstract shortened by UMI.).
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