語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Saving the grotesque: The grotesque ...
~
Henningsen, Matthew.
FindBook
Google Book
Amazon
博客來
Saving the grotesque: The grotesque system of liberation in British Modernism (1922-1932).
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Saving the grotesque: The grotesque system of liberation in British Modernism (1922-1932)./
作者:
Henningsen, Matthew.
面頁冊數:
250 p.
附註:
Source: Dissertation Abstracts International, Volume: 76-05(E), Section: A.
Contained By:
Dissertation Abstracts International76-05A(E).
標題:
Modern literature. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3671688
ISBN:
9781321488326
Saving the grotesque: The grotesque system of liberation in British Modernism (1922-1932).
Henningsen, Matthew.
Saving the grotesque: The grotesque system of liberation in British Modernism (1922-1932).
- 250 p.
Source: Dissertation Abstracts International, Volume: 76-05(E), Section: A.
Thesis (Ph.D.)--Marquette University, 2015.
This dissertation re-situates the grotesque in a critical tradition that emphasizes its function as a liberating force, rather than its traditional role as an arouser of terror and amusement. I then apply the grotesque liberation to the High Modern literary environment of Britain in order to reveal the grotesque dimensions of this period. To accomplish these goals of re-situating the grotesque, and applying the grotesque to High Modernism, I create a so-called "Grotesque System of Liberation." This system consists of three stages (the Symbolic, Real, and Non-Symbolic Symbolic) that trace a specific text's progress from a state of illusory stability and security, to a state of grotesque destabilization, to a final state of grotesque freedom and liberation. I analyze the grotesque system in High Modern texts by T.S. Eliot ( The Waste Land), D.H. Lawrence (esp. "The Ship of Death"), and Aldous Huxley (Brave New World), and aid this analysis with the application of a series of textual markers and linguistic features to these works. Such textual markers and linguistic features help reveal the specific stages of the grotesque system at work in a text. My dissertation ultimately accomplishes two important tasks. It posits a new understanding of the grotesque as a force for liberation from illusory sources of control and power. By examining this new understanding of the grotesque in British High Modernism, it also reveals the grotesqueness of this literary period, or its use of the grotesque as a device for sustaining a state of liberating division and incompleteness.
ISBN: 9781321488326Subjects--Topical Terms:
2122750
Modern literature.
Saving the grotesque: The grotesque system of liberation in British Modernism (1922-1932).
LDR
:02464nmm a2200277 4500
001
2075279
005
20161024150941.5
008
170521s2015 ||||||||||||||||| ||eng d
020
$a
9781321488326
035
$a
(MiAaPQ)AAI3671688
035
$a
AAI3671688
040
$a
MiAaPQ
$c
MiAaPQ
100
1
$a
Henningsen, Matthew.
$3
3190662
245
1 0
$a
Saving the grotesque: The grotesque system of liberation in British Modernism (1922-1932).
300
$a
250 p.
500
$a
Source: Dissertation Abstracts International, Volume: 76-05(E), Section: A.
500
$a
Adviser: John Boly.
502
$a
Thesis (Ph.D.)--Marquette University, 2015.
520
$a
This dissertation re-situates the grotesque in a critical tradition that emphasizes its function as a liberating force, rather than its traditional role as an arouser of terror and amusement. I then apply the grotesque liberation to the High Modern literary environment of Britain in order to reveal the grotesque dimensions of this period. To accomplish these goals of re-situating the grotesque, and applying the grotesque to High Modernism, I create a so-called "Grotesque System of Liberation." This system consists of three stages (the Symbolic, Real, and Non-Symbolic Symbolic) that trace a specific text's progress from a state of illusory stability and security, to a state of grotesque destabilization, to a final state of grotesque freedom and liberation. I analyze the grotesque system in High Modern texts by T.S. Eliot ( The Waste Land), D.H. Lawrence (esp. "The Ship of Death"), and Aldous Huxley (Brave New World), and aid this analysis with the application of a series of textual markers and linguistic features to these works. Such textual markers and linguistic features help reveal the specific stages of the grotesque system at work in a text. My dissertation ultimately accomplishes two important tasks. It posits a new understanding of the grotesque as a force for liberation from illusory sources of control and power. By examining this new understanding of the grotesque in British High Modernism, it also reveals the grotesqueness of this literary period, or its use of the grotesque as a device for sustaining a state of liberating division and incompleteness.
590
$a
School code: 0116.
650
4
$a
Modern literature.
$3
2122750
650
4
$a
English literature.
$3
516356
690
$a
0298
690
$a
0593
710
2
$a
Marquette University.
$b
English.
$3
3170428
773
0
$t
Dissertation Abstracts International
$g
76-05A(E).
790
$a
0116
791
$a
Ph.D.
792
$a
2015
793
$a
English
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3671688
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9308147
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入