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Fiddling with a Culturally Responsiv...
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Gluska, Virginia.
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Fiddling with a Culturally Responsive Curriculum.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Fiddling with a Culturally Responsive Curriculum./
作者:
Gluska, Virginia.
面頁冊數:
220 p.
附註:
Source: Masters Abstracts International, Volume: 51-06.
Contained By:
Masters Abstracts International51-06(E).
標題:
Multicultural Education. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=MR86968
ISBN:
9780494869680
Fiddling with a Culturally Responsive Curriculum.
Gluska, Virginia.
Fiddling with a Culturally Responsive Curriculum.
- 220 p.
Source: Masters Abstracts International, Volume: 51-06.
Thesis (M.A.(Ed.))--University of Ottawa (Canada), 2011.
The discourse on education for Aboriginal people has long been limited to a curriculum of cultural assimilation often resulting in an erosion of self-esteem and disengagement. Consequently, this research puts forth narratives of how fiddle programs in northern Manitoba work as a culturally responsive curriculum that in turn address such curricular erosions. As a research methodology, Metissage afforded me pedagogical opportunities to weave the various perspectives of community members, parents, instructors, and former students into an intricate story that attempts to represent some of their social, cultural and historical experiences within the north. Braiding stories of the historical and present impacts of fiddle playing reveals the generative possibilities of school fiddle programs in Canadian Indigenous communities. In addition to building intergenerational bridges, the stories put forth in this thesis demonstrate how the fiddle has become a contemporary instrument of social change for many communities across northern Manitoba.
ISBN: 9780494869680Subjects--Topical Terms:
2122919
Multicultural Education.
Fiddling with a Culturally Responsive Curriculum.
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The discourse on education for Aboriginal people has long been limited to a curriculum of cultural assimilation often resulting in an erosion of self-esteem and disengagement. Consequently, this research puts forth narratives of how fiddle programs in northern Manitoba work as a culturally responsive curriculum that in turn address such curricular erosions. As a research methodology, Metissage afforded me pedagogical opportunities to weave the various perspectives of community members, parents, instructors, and former students into an intricate story that attempts to represent some of their social, cultural and historical experiences within the north. Braiding stories of the historical and present impacts of fiddle playing reveals the generative possibilities of school fiddle programs in Canadian Indigenous communities. In addition to building intergenerational bridges, the stories put forth in this thesis demonstrate how the fiddle has become a contemporary instrument of social change for many communities across northern Manitoba.
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