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An analysis of selected piano works ...

Cheung, Pang Jane.

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An analysis of selected piano works of Wang Li-San.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	An analysis of selected piano works of Wang Li-San./
作者:	Cheung, Pang Jane.
面頁冊數:	311 p.
附註:	Source: Dissertation Abstracts International, Volume: 57-10, Section: A, page: 4181.
Contained By:	Dissertation Abstracts International57-10A.
標題:	Music. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9710910
ISBN:	9780591183962

An analysis of selected piano works of Wang Li-San.
Cheung, Pang Jane.

An analysis of selected piano works of Wang Li-San. - 311 p.

Source: Dissertation Abstracts International, Volume: 57-10, Section: A, page: 4181.

Thesis (Ph.D.)--New York University, 1996.

In this study, the writer's objective is to identify the compositional characteristics and ethnic cultural influences in selected piano works of Wang Li-san (born 1933), an important Chinese composer whose works exemplify a pioneering effort in the development of contemporary Chinese piano music.

ISBN: 9780591183962Subjects--Topical Terms:

516178
Music.

An analysis of selected piano works of Wang Li-San.
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100 1 $a Cheung, Pang Jane. $3 3187383
245 1 3 $a An analysis of selected piano works of Wang Li-San.
300 $a 311 p.
500 $a Source: Dissertation Abstracts International, Volume: 57-10, Section: A, page: 4181.
500 $a Chairperson: Kenneth Peacock.
502 $a Thesis (Ph.D.)--New York University, 1996.
520 $a In this study, the writer's objective is to identify the compositional characteristics and ethnic cultural influences in selected piano works of Wang Li-san (born 1933), an important Chinese composer whose works exemplify a pioneering effort in the development of contemporary Chinese piano music.
520 $a The works selected to be analyzed in this study are: Prelude and Fugue in F# Shang Mode: Calligraphy and Oin, The Voice of the Sea and The Dream from Heaven.
520 $a This study is comprised of six chapters. Chapter I provides a brief description of the historical background of the composer and a survey of his output. Chapter II provides descriptions of certain Chinese musical and aesthetic elements that are related to Wang's music, and to assist in the understanding of the possible compositional connections between the works and their ethnic origins. Chapters III, IV, and V are detailed analyses of three selected works. In general, each chapter begins with a brief description of the background of the composition and proceeds to a structural analysis of the piece. A formalistic approach of analysis is applied to examine the structural organization of the works. The last section of each analysis addresses the stylistic characteristics of the piece in relation to Chinese musical traditions. The concluding chapter, Chapter VI, summarizes the analytical findings in the preceding chapters on Wang Li-san's style and ethnic influence. The study concludes that Wang Li-san's piano works, in many important aspects, reflect his cultural heritage on both the musical and aesthetic levels.
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