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Virtuoso violinist Maud Powell: Endu...
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Pizzichemi, Sarah Joy.
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Virtuoso violinist Maud Powell: Enduring champion for American women in professional music.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Virtuoso violinist Maud Powell: Enduring champion for American women in professional music./
作者:
Pizzichemi, Sarah Joy.
面頁冊數:
114 p.
附註:
Source: Dissertation Abstracts International, Volume: 76-09(E), Section: A.
Contained By:
Dissertation Abstracts International76-09A(E).
標題:
Music. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3689820
ISBN:
9781321694581
Virtuoso violinist Maud Powell: Enduring champion for American women in professional music.
Pizzichemi, Sarah Joy.
Virtuoso violinist Maud Powell: Enduring champion for American women in professional music.
- 114 p.
Source: Dissertation Abstracts International, Volume: 76-09(E), Section: A.
Thesis (D.M.A.)--The University of Nebraska - Lincoln, 2015.
Maud Powell, the first great American virtuoso violinist, sparked a change in the spirit of the advancement of classical music throughout North America in the late nineteenth and early twentieth centuries. This document addresses gender inequality present in the classical music profession during Powell's lifetime. It also explores the roles women occupied in the public and private spheres in Western art music of the nineteenth and early twentieth centuries. More specifically, it investigates the life of virtuoso violinist Maud Powell through her activism and interest in American women in professional music.
ISBN: 9781321694581Subjects--Topical Terms:
516178
Music.
Virtuoso violinist Maud Powell: Enduring champion for American women in professional music.
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Source: Dissertation Abstracts International, Volume: 76-09(E), Section: A.
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Maud Powell, the first great American virtuoso violinist, sparked a change in the spirit of the advancement of classical music throughout North America in the late nineteenth and early twentieth centuries. This document addresses gender inequality present in the classical music profession during Powell's lifetime. It also explores the roles women occupied in the public and private spheres in Western art music of the nineteenth and early twentieth centuries. More specifically, it investigates the life of virtuoso violinist Maud Powell through her activism and interest in American women in professional music.
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The document is divided into three parts. After a brief biography of Maud Powell, Part I defines women's place in Western art music of the nineteenth and early twentieth century. Chapter 1 begins with a discussion of the private and public spheres and women's place in professional music. Chapter 2 discourses women and the violin with brief descriptions of all the renowned women violinists prior to Maud Powell. Chapter 3 examines women's music clubs and female soloists of the late nineteenth and early twentieth centuries. Part II of the document focuses on Maud Powell's specific contributions to the role of women in professional music. This encompasses her work at the World's Columbian Exposition, her encouragement of women as symphony performers, conductors, and composers, how she broke new ground as a chamber musician, and her reactions to sexism. Part III explores Maud Powell's fluctuating opinion on the suffrage movement. It concludes with current affairs of gender equality in music.
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This document provides the historical context for the world in which Maud Powell lived, her navigation of that world as a woman concert artist, and how she implemented her authority as a celebrity and influential figure in Western art music to improve the lives of American women in professional music.
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