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Writing (Dirty) New Media: Technorhe...

Hammer, Steven Reginald.

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Writing (Dirty) New Media: Technorhetorical Opacity, Chimeras, and Dirty Ontology.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Writing (Dirty) New Media: Technorhetorical Opacity, Chimeras, and Dirty Ontology./
作者:	Hammer, Steven Reginald.
面頁冊數:	227 p.
附註:	Source: Dissertation Abstracts International, Volume: 76-01(E), Section: A.
Contained By:	Dissertation Abstracts International76-01A(E).
標題:	Rhetoric. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3633105
ISBN:	9781321126839

Writing (Dirty) New Media: Technorhetorical Opacity, Chimeras, and Dirty Ontology.
Hammer, Steven Reginald.

Writing (Dirty) New Media: Technorhetorical Opacity, Chimeras, and Dirty Ontology. - 227 p.

Source: Dissertation Abstracts International, Volume: 76-01(E), Section: A.

Thesis (Ph.D.)--North Dakota State University, 2014.

There is little doubt that emerging technologies are changing the way we act, interact, create, and consume. Yet despite increased access to these technologies, consumers of technology too seldom interrogate the politics, subjectivities, and limitations of these technologies and their interfaces. Instead, many consumers approach emerging technologies as objective tools to be consumed, and engage in creative processes uncritically. This disquisition, following the work of Hawisher, Selfe, and Selfe, seeks ways to approach the problem of a "rhetoric of technology" that uncritically praises new technologies by drawing on avant-garde art traditions and object-oriented ontology. I argue that, by following the philosophies and practices of glitch, dirty new media, zaum, dada, circuit-bending, and others, we might approach writing technologies with the intention of critically misusing, manipulating, and revealing to ourselves and audiences the materiality of the media and technologies in use.

ISBN: 9781321126839Subjects--Topical Terms:

516647
Rhetoric.

Writing (Dirty) New Media: Technorhetorical Opacity, Chimeras, and Dirty Ontology.
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245 1 0 $a Writing (Dirty) New Media: Technorhetorical Opacity, Chimeras, and Dirty Ontology.
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500 $a Source: Dissertation Abstracts International, Volume: 76-01(E), Section: A.
500 $a Adviser: Andrew Mara.
502 $a Thesis (Ph.D.)--North Dakota State University, 2014.
520 $a There is little doubt that emerging technologies are changing the way we act, interact, create, and consume. Yet despite increased access to these technologies, consumers of technology too seldom interrogate the politics, subjectivities, and limitations of these technologies and their interfaces. Instead, many consumers approach emerging technologies as objective tools to be consumed, and engage in creative processes uncritically. This disquisition, following the work of Hawisher, Selfe, and Selfe, seeks ways to approach the problem of a "rhetoric of technology" that uncritically praises new technologies by drawing on avant-garde art traditions and object-oriented ontology. I argue that, by following the philosophies and practices of glitch, dirty new media, zaum, dada, circuit-bending, and others, we might approach writing technologies with the intention of critically misusing, manipulating, and revealing to ourselves and audiences the materiality of the media and technologies in use.
520 $a In combination with these avant-garde practices and philosophies, I draw from object-oriented ontology to argue that we, as new media composers, never simply write on or through our technologies, but that we write in collaboration with them, for they are active and agential coauthors even (and especially) despite their status as nonhuman. I argue for an model that not only levels the ontological playing field between humans and nonhumans, but also one that embraces irregularities and "glitches" as essential features of systems and the actors within those systems. Finally, I provide examples of how to perform these models and philosophies, which I call object-oriented art..
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