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Confronting the Spectacular: Address...

Osarczuk, Kaileigh.

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Confronting the Spectacular: Addressing the Role of Contemporary Installation Art.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Confronting the Spectacular: Addressing the Role of Contemporary Installation Art./
Author:	Osarczuk, Kaileigh.
Description:	71 p.
Notes:	Source: Masters Abstracts International, Volume: 54-05.
Contained By:	Masters Abstracts International54-05(E).
Subject:	Art history. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1589917
ISBN:	9781321784312

Confronting the Spectacular: Addressing the Role of Contemporary Installation Art.
Osarczuk, Kaileigh.

Confronting the Spectacular: Addressing the Role of Contemporary Installation Art. - 71 p.

Source: Masters Abstracts International, Volume: 54-05.

Thesis (M.A.)--Sotheby's Institute of Art - New York, 2015.

Contemporary Installation art has become a major aspect of 21st Century art exhibitions. As Contemporary Installation continues to gain notoriety, it also continues to grow in many other aspects such as scale, grandeur and entertainment appeal. These aspects that drive the viewer's attention away from the criticality once established by the predecessors of Contemporary Installation, such as Minimalism and Institutional Critique, now shifts the viewer's attention towards attributes focused on mass entertainment and visceral experience. This particular style of installation that focuses on these experiences can be referred to as Spectacular Installation. Situationist International member Guy Debord coined the term 'spectacle' by understanding it was a false reality implemented by an outside force. In Debord's case, he was concerned with the consumerist agenda of the capitalist force within France during the early 20th Century. Contemporary Installation demonstrates this creation of a false reality within an institutional setting, in its use of environments that intentionally disorient its audience. In its appeal to remove itself from all critical endeavors in exchange for spectacle, this genre poses a threat to the fundamental criticality that was used to establish Contemporary Installation's original intent. While research has discussed the inherent grandeur and the widespread popularity of spectacular work; this thesis explores the degradation of criticality within Contemporary Installation in exchange for the spectacle.

ISBN: 9781321784312Subjects--Topical Terms:

2122701
Art history.

Confronting the Spectacular: Addressing the Role of Contemporary Installation Art.
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520 $a Contemporary Installation art has become a major aspect of 21st Century art exhibitions. As Contemporary Installation continues to gain notoriety, it also continues to grow in many other aspects such as scale, grandeur and entertainment appeal. These aspects that drive the viewer's attention away from the criticality once established by the predecessors of Contemporary Installation, such as Minimalism and Institutional Critique, now shifts the viewer's attention towards attributes focused on mass entertainment and visceral experience. This particular style of installation that focuses on these experiences can be referred to as Spectacular Installation. Situationist International member Guy Debord coined the term 'spectacle' by understanding it was a false reality implemented by an outside force. In Debord's case, he was concerned with the consumerist agenda of the capitalist force within France during the early 20th Century. Contemporary Installation demonstrates this creation of a false reality within an institutional setting, in its use of environments that intentionally disorient its audience. In its appeal to remove itself from all critical endeavors in exchange for spectacle, this genre poses a threat to the fundamental criticality that was used to establish Contemporary Installation's original intent. While research has discussed the inherent grandeur and the widespread popularity of spectacular work; this thesis explores the degradation of criticality within Contemporary Installation in exchange for the spectacle.
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