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Synergy and joint authorship through...
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Hoo, Danielle M.
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Synergy and joint authorship through socialism: Exploring the practices and work of post-Mao, contemporary Chinese artistic collectives.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Synergy and joint authorship through socialism: Exploring the practices and work of post-Mao, contemporary Chinese artistic collectives./
作者:
Hoo, Danielle M.
面頁冊數:
83 p.
附註:
Source: Masters Abstracts International, Volume: 54-05.
Contained By:
Masters Abstracts International54-05(E).
標題:
Art criticism. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1589898
ISBN:
9781321784039
Synergy and joint authorship through socialism: Exploring the practices and work of post-Mao, contemporary Chinese artistic collectives.
Hoo, Danielle M.
Synergy and joint authorship through socialism: Exploring the practices and work of post-Mao, contemporary Chinese artistic collectives.
- 83 p.
Source: Masters Abstracts International, Volume: 54-05.
Thesis (M.A.)--Sotheby's Institute of Art - New York, 2015.
The trajectory of contemporary Chinese art has a drastically different arc than that of its Western counterparts. In the aftermath of the Cultural Revolution, artists working in China today are still attempting to reconcile their conceptions of identity in contemporaneity. There has been a persistent Western inclination to celebrate the artist as a "genius creator," and praise the unique art object while condemning the copy. Since these capitalist notions, rooted in copyright law, previously had no basis in China, copying practices and the active embracement of a collective past have long been prominent in Chinese art. Using the art of contemporary Chinese collectives while comparing and contrasting their work and practices with those of both Russian collectives, coming from a similar socialist background, and Western collectives, this study examines the objectives of contemporary Chinese artists working---under joint authorship---through socialism in the context of our current state of late global capitalism.
ISBN: 9781321784039Subjects--Topical Terms:
526357
Art criticism.
Synergy and joint authorship through socialism: Exploring the practices and work of post-Mao, contemporary Chinese artistic collectives.
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The trajectory of contemporary Chinese art has a drastically different arc than that of its Western counterparts. In the aftermath of the Cultural Revolution, artists working in China today are still attempting to reconcile their conceptions of identity in contemporaneity. There has been a persistent Western inclination to celebrate the artist as a "genius creator," and praise the unique art object while condemning the copy. Since these capitalist notions, rooted in copyright law, previously had no basis in China, copying practices and the active embracement of a collective past have long been prominent in Chinese art. Using the art of contemporary Chinese collectives while comparing and contrasting their work and practices with those of both Russian collectives, coming from a similar socialist background, and Western collectives, this study examines the objectives of contemporary Chinese artists working---under joint authorship---through socialism in the context of our current state of late global capitalism.
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