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Female public nudity in Belle Epoque...
~
Felter-Kerley, Lela Lovett.
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Female public nudity in Belle Epoque Paris.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Female public nudity in Belle Epoque Paris./
作者:
Felter-Kerley, Lela Lovett.
面頁冊數:
403 p.
附註:
Source: Dissertation Abstracts International, Volume: 72-03, Section: A, page: 1045.
Contained By:
Dissertation Abstracts International72-03A.
標題:
European history. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3440895
ISBN:
9781124439006
Female public nudity in Belle Epoque Paris.
Felter-Kerley, Lela Lovett.
Female public nudity in Belle Epoque Paris.
- 403 p.
Source: Dissertation Abstracts International, Volume: 72-03, Section: A, page: 1045.
Thesis (Ph.D.)--University of Florida, 2006.
My dissertation focuses upon the emergence and controversy surrounding la femme nue, the performative female nude artist of the Parisian music hall and public ball between 1889 and 1914. I try to understand the cultural conditions that contributed to displays of female nudity in Parisian public life and how the actions of these performers played a major role in questions concerning censorship, separate spheres, the New Woman, and in redefinitions of public morality. Using a variety of sources, ranging from the popular press, published memoirs, trial transcripts, fiction and photographic records, the dissertation focuses upon moments of crisis when the nude body challenged conventional notions about femininity and social mores.
ISBN: 9781124439006Subjects--Topical Terms:
1972904
European history.
Female public nudity in Belle Epoque Paris.
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Source: Dissertation Abstracts International, Volume: 72-03, Section: A, page: 1045.
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My dissertation focuses upon the emergence and controversy surrounding la femme nue, the performative female nude artist of the Parisian music hall and public ball between 1889 and 1914. I try to understand the cultural conditions that contributed to displays of female nudity in Parisian public life and how the actions of these performers played a major role in questions concerning censorship, separate spheres, the New Woman, and in redefinitions of public morality. Using a variety of sources, ranging from the popular press, published memoirs, trial transcripts, fiction and photographic records, the dissertation focuses upon moments of crisis when the nude body challenged conventional notions about femininity and social mores.
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My investigation of la femme nue evolves from an already emerging line of inquiry which problematizes actresses and dancers bodies within the larger social, political, and moral milieu of late nineteenth and early twentieth-century Europe. How, I ask, did the spectacularization of female nudity serve divergent social interests and groups? What were the perceptions, either real or imagined, of these performers and the various reactions to their performances? More importantly, how did la femme nue view herself and her actions in light of current debates over art and morality, the definition of public and private spaces, and the individual's access to or assertion of sexual pleasure? I argue that la femme nue's self-actualization in the streets and theaters of Paris not only operated as a catalyst for the formation and normalization of an alternative female identity, the New Woman, but also reinforced traditional boundaries of sex and class on the eve of the Great War.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3440895
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