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Sikh Sabad kirtan as a musical const...

Protopapas, Janice Faye.

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Sikh Sabad kirtan as a musical construction of memory.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Sikh Sabad kirtan as a musical construction of memory./
Author:	Protopapas, Janice Faye.
Description:	272 p.
Notes:	Source: Dissertation Abstracts International, Volume: 73-02, Section: A, page: 4160.
Contained By:	Dissertation Abstracts International73-02A.
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3478891
ISBN:	9781124968469

Sikh Sabad kirtan as a musical construction of memory.
Protopapas, Janice Faye.

Sikh Sabad kirtan as a musical construction of memory. - 272 p.

Source: Dissertation Abstracts International, Volume: 73-02, Section: A, page: 4160.

Thesis (Ph.D.)--University of Maryland, College Park, 2011.

The performance of devotional music in India has been an active, sonic conduit where spiritual identities are shaped and forged, and both history and mythology lived out and remembered daily. For the followers of Sikhism, congregational hymn singing has been the vehicle through which text, melody and ritual act as repositories of memory, elevating memory to a place where historical and social events can be reenacted and memorialized on levels of spiritual significance.

ISBN: 9781124968469Subjects--Topical Terms:

516178
Music.

Sikh Sabad kirtan as a musical construction of memory.
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100 1 $a Protopapas, Janice Faye. $3 3185037
245 1 0 $a Sikh Sabad kirtan as a musical construction of memory.
300 $a 272 p.
500 $a Source: Dissertation Abstracts International, Volume: 73-02, Section: A, page: 4160.
500 $a Includes supplementary digital materials.
500 $a Adviser: Robert C. Provine.
502 $a Thesis (Ph.D.)--University of Maryland, College Park, 2011.
520 $a The performance of devotional music in India has been an active, sonic conduit where spiritual identities are shaped and forged, and both history and mythology lived out and remembered daily. For the followers of Sikhism, congregational hymn singing has been the vehicle through which text, melody and ritual act as repositories of memory, elevating memory to a place where historical and social events can be reenacted and memorialized on levels of spiritual significance.
520 $a This dissertation investigates the musical process of Sabad kirtan, Sikh hymn singing, in a Sikh musical service as a powerful vehicle to forge a sense of identification between individual and the group. As an intimate part of Sikh life from birth to death, the repertoire of Sabad kirtan draws from a rich mosaic of classical and folk genres as well as performance styles, acting as a musical and cognitive archive.
520 $a Through a detailed analysis of the asa Di Var service, Sabad kirtan is explored as a phenomenological experience where time, place and occasion interact as a meaningful unit through which the congregation creates and recreates themselves, invoking deep memories and emotional experiences. Supported by explanatory tables, diagrams and musical transcriptions, the sonic movements of the service show how the Divine Word as Sabad is not only embodied through the Guru Granth Sahib, but also encountered through the human enactment of the service, aurally, viscerally and phenomenologically.
590 $a School code: 0117.
650 4 $a Music. $3 516178
650 4 $a South Asian studies. $3 3172880
650 4 $a Religion. $3 516493
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710 2 $a University of Maryland, College Park. $b Music. $3 1267375
773 0 $t Dissertation Abstracts International $g 73-02A.
790 $a 0117
791 $a Ph.D.
792 $a 2011
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3478891