語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Street queens: The Original Pinettes...
~
DeCoste, Kyle.
FindBook
Google Book
Amazon
博客來
Street queens: The Original Pinettes and black feminism in New Orleans brass bands.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Street queens: The Original Pinettes and black feminism in New Orleans brass bands./
作者:
DeCoste, Kyle.
面頁冊數:
119 p.
附註:
Source: Masters Abstracts International, Volume: 55-01.
Contained By:
Masters Abstracts International55-01(E).
標題:
Music. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1599202
ISBN:
9781339054681
Street queens: The Original Pinettes and black feminism in New Orleans brass bands.
DeCoste, Kyle.
Street queens: The Original Pinettes and black feminism in New Orleans brass bands.
- 119 p.
Source: Masters Abstracts International, Volume: 55-01.
Thesis (M.A.)--Tulane University, 2015.
The musical traditions of New Orleans are largely patriarchal. As the predominant sonic signifier of New Orleans, the brass band amplifies this gender bias more than any other musical tradition in the city. Brass band song lyrics can at times revolve around the subjugation and objectification of women, which renders the brass band canon tricky to access for female musicians. These symbolic issues become socially reified in the male control of instruments and the barriers to professionalization experienced by female musicians. Indeed, female brass band musicians are in the minority, constituting few more than ten musicians in a city with somewhere in the vicinity of fifty bands, all of which feature about ten musicians. The available literature on brass bands has thus far focused almost exclusively on black men and, mostly due to the relative absence of women in brass bands, neglects to view gender as a category of analysis, reflecting the gender bias of the scene at large. Using black feminist theory, this thesis seeks to introduce gender as a key element to brass band research by studying the only current exception to male dominance in New Orleans' brass band community, an all-female brass band named the Original Pinettes Brass Band. Their example forces us to reconsider the domain of brass band music not only as one where brass band instruments articulate power, but where gender is a primary element in the construction and consolidation of this power.
ISBN: 9781339054681Subjects--Topical Terms:
516178
Music.
Street queens: The Original Pinettes and black feminism in New Orleans brass bands.
LDR
:02385nmm a2200313 4500
001
2070002
005
20160602092036.5
008
170521s2015 ||||||||||||||||| ||eng d
020
$a
9781339054681
035
$a
(MiAaPQ)AAI1599202
035
$a
AAI1599202
040
$a
MiAaPQ
$c
MiAaPQ
100
1
$a
DeCoste, Kyle.
$3
3185016
245
1 0
$a
Street queens: The Original Pinettes and black feminism in New Orleans brass bands.
300
$a
119 p.
500
$a
Source: Masters Abstracts International, Volume: 55-01.
500
$a
Adviser: Matt Sakakeeny.
502
$a
Thesis (M.A.)--Tulane University, 2015.
520
$a
The musical traditions of New Orleans are largely patriarchal. As the predominant sonic signifier of New Orleans, the brass band amplifies this gender bias more than any other musical tradition in the city. Brass band song lyrics can at times revolve around the subjugation and objectification of women, which renders the brass band canon tricky to access for female musicians. These symbolic issues become socially reified in the male control of instruments and the barriers to professionalization experienced by female musicians. Indeed, female brass band musicians are in the minority, constituting few more than ten musicians in a city with somewhere in the vicinity of fifty bands, all of which feature about ten musicians. The available literature on brass bands has thus far focused almost exclusively on black men and, mostly due to the relative absence of women in brass bands, neglects to view gender as a category of analysis, reflecting the gender bias of the scene at large. Using black feminist theory, this thesis seeks to introduce gender as a key element to brass band research by studying the only current exception to male dominance in New Orleans' brass band community, an all-female brass band named the Original Pinettes Brass Band. Their example forces us to reconsider the domain of brass band music not only as one where brass band instruments articulate power, but where gender is a primary element in the construction and consolidation of this power.
590
$a
School code: 0235.
650
4
$a
Music.
$3
516178
650
4
$a
Cultural anthropology.
$3
2122764
650
4
$a
Gender studies.
$3
2122708
650
4
$a
Black studies.
$3
2122689
650
4
$a
Womens studies.
$3
2122688
690
$a
0413
690
$a
0326
690
$a
0733
690
$a
0325
690
$a
0453
710
2
$a
Tulane University.
$b
Musicology.
$3
3185017
773
0
$t
Masters Abstracts International
$g
55-01(E).
790
$a
0235
791
$a
M.A.
792
$a
2015
793
$a
English
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1599202
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9302870
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入