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Tapestry of tears: An autoethnograph...
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Woodward, Alpha M.
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Tapestry of tears: An autoethnography of leadership, personal transformation, and music therapy in humanitarian aid in Bosnia Herzegovina.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Tapestry of tears: An autoethnography of leadership, personal transformation, and music therapy in humanitarian aid in Bosnia Herzegovina./
作者:
Woodward, Alpha M.
面頁冊數:
291 p.
附註:
Source: Dissertation Abstracts International, Volume: 76-08(E), Section: A.
Contained By:
Dissertation Abstracts International76-08A(E).
標題:
European studies. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3687129
ISBN:
9781321644203
Tapestry of tears: An autoethnography of leadership, personal transformation, and music therapy in humanitarian aid in Bosnia Herzegovina.
Woodward, Alpha M.
Tapestry of tears: An autoethnography of leadership, personal transformation, and music therapy in humanitarian aid in Bosnia Herzegovina.
- 291 p.
Source: Dissertation Abstracts International, Volume: 76-08(E), Section: A.
Thesis (Ph.D.)--Antioch University, 2015.
In the fall of 2003 I was invited to lead a team of music therapists in Bosnia and Herzegovina (BiH), a country that had been recently savaged by two brutal inter-ethnic wars. The program operated out of the Pavarotti Music Centre on the East side of Mostar, a divided city in the southwest region of BiH. My journey over the next four years was epically challenged by my immersion into the complexities of post-conflict recovery, and the cultural confusion that followed the atrocities of those wars. Transformation and change not only characterized the world in which I worked, but also paralleled internal processes proceeding silently within me. As a music therapist I have always worked within a framework of cultural constancy. In post-conflict societies, we become involved in a colossal moving fray of change. This dissertation is an autoethnography that uses heartfelt, reflective writing with the purpose of gaining a deeper understanding of my identity as a leader, as a music therapist, and as a cultural being in these sometimes difficult, but life-enhancing, four years. Together with academic perspectives and performative writing techniques, it explores a trail of thematic material that emerged during a confusing, ambiguous repatriation period in the years following my time in Bosnia. The autoethnography, an evocative expression of phenomenological research, is a conversation with "self" and with distant others who inhabit a time frame in the past, and thus informs an emergent narrative that carves its own path throughout the eight chapters. Ultimately, the dissertation aims toward a deeper understanding of my own culpability as a leader of a small multi-ethnic team in Mostar, BiH, and the implications this may have for arts-based fieldwork practice in post conflict regions. This dissertation is accompanied by seven supplemental files: 1 Mp4 video and 6 blog post pdf files. The electronic version of this Dissertation is at Ohiolink ETD Center, http://etd.ohiolink.edu and AURA http://aura.antioch.edu/.
ISBN: 9781321644203Subjects--Topical Terms:
3168420
European studies.
Tapestry of tears: An autoethnography of leadership, personal transformation, and music therapy in humanitarian aid in Bosnia Herzegovina.
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In the fall of 2003 I was invited to lead a team of music therapists in Bosnia and Herzegovina (BiH), a country that had been recently savaged by two brutal inter-ethnic wars. The program operated out of the Pavarotti Music Centre on the East side of Mostar, a divided city in the southwest region of BiH. My journey over the next four years was epically challenged by my immersion into the complexities of post-conflict recovery, and the cultural confusion that followed the atrocities of those wars. Transformation and change not only characterized the world in which I worked, but also paralleled internal processes proceeding silently within me. As a music therapist I have always worked within a framework of cultural constancy. In post-conflict societies, we become involved in a colossal moving fray of change. This dissertation is an autoethnography that uses heartfelt, reflective writing with the purpose of gaining a deeper understanding of my identity as a leader, as a music therapist, and as a cultural being in these sometimes difficult, but life-enhancing, four years. Together with academic perspectives and performative writing techniques, it explores a trail of thematic material that emerged during a confusing, ambiguous repatriation period in the years following my time in Bosnia. The autoethnography, an evocative expression of phenomenological research, is a conversation with "self" and with distant others who inhabit a time frame in the past, and thus informs an emergent narrative that carves its own path throughout the eight chapters. Ultimately, the dissertation aims toward a deeper understanding of my own culpability as a leader of a small multi-ethnic team in Mostar, BiH, and the implications this may have for arts-based fieldwork practice in post conflict regions. This dissertation is accompanied by seven supplemental files: 1 Mp4 video and 6 blog post pdf files. The electronic version of this Dissertation is at Ohiolink ETD Center, http://etd.ohiolink.edu and AURA http://aura.antioch.edu/.
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