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An analysis of the attempted amalgam...

Pei, Yushu.

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An analysis of the attempted amalgamation of Western and Chinese musical elements in Huang Anlun's Piano Concerto in G Minor, Opus 25b, A lecture recital, together with three recitals of selected works by Bach, Beethoven, Chopin, Liszt, Mozart, Schubert, and Schumann.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	An analysis of the attempted amalgamation of Western and Chinese musical elements in Huang Anlun's Piano Concerto in G Minor, Opus 25b, A lecture recital, together with three recitals of selected works by Bach, Beethoven, Chopin, Liszt, Mozart, Schubert, and Schumann./
作者:	Pei, Yushu.
面頁冊數:	93 p.
附註:	Source: Dissertation Abstracts International, Volume: 58-07, Section: A, page: 2456.
Contained By:	Dissertation Abstracts International58-07A.
標題:	Music. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9801409
ISBN:	9780591508871

An analysis of the attempted amalgamation of Western and Chinese musical elements in Huang Anlun's Piano Concerto in G Minor, Opus 25b, A lecture recital, together with three recitals of selected works by Bach, Beethoven, Chopin, Liszt, Mozart, Schubert, and Schumann.
Pei, Yushu.

An analysis of the attempted amalgamation of Western and Chinese musical elements in Huang Anlun's Piano Concerto in G Minor, Opus 25b, A lecture recital, together with three recitals of selected works by Bach, Beethoven, Chopin, Liszt, Mozart, Schubert, and Schumann. - 93 p.

Source: Dissertation Abstracts International, Volume: 58-07, Section: A, page: 2456.

Thesis (D.M.A.)--University of North Texas, 1997.

While China possesses one of world's richest musical heritages, it remained unaffected by Western music until early in this century. Subsequently, there was a movement of nationalism in music approximately three decades after the introduction of Western music. This movement, aimed essentially at utilizing Western compositional techniques to create musical works that still would be uniquely Chinese, continue even today.

ISBN: 9780591508871Subjects--Topical Terms:

516178
Music.

An analysis of the attempted amalgamation of Western and Chinese musical elements in Huang Anlun's Piano Concerto in G Minor, Opus 25b, A lecture recital, together with three recitals of selected works by Bach, Beethoven, Chopin, Liszt, Mozart, Schubert, and Schumann.
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245 1 3 $a An analysis of the attempted amalgamation of Western and Chinese musical elements in Huang Anlun's Piano Concerto in G Minor, Opus 25b, A lecture recital, together with three recitals of selected works by Bach, Beethoven, Chopin, Liszt, Mozart, Schubert, and Schumann.
300 $a 93 p.
500 $a Source: Dissertation Abstracts International, Volume: 58-07, Section: A, page: 2456.
502 $a Thesis (D.M.A.)--University of North Texas, 1997.
520 $a While China possesses one of world's richest musical heritages, it remained unaffected by Western music until early in this century. Subsequently, there was a movement of nationalism in music approximately three decades after the introduction of Western music. This movement, aimed essentially at utilizing Western compositional techniques to create musical works that still would be uniquely Chinese, continue even today.
520 $a Huang Anlun's Piano Concerto in G minor, Opus 25b, was written in 1982, just a few years after the Cultural Revolution. At the time, most Chinese composers were handicapped by their lack of knowledge of Western contemporary music and their limited exploration of both Western and Chinese traditional forms. Huang Anlun, a composer-in-residence at the Central Opera House in Beijing, traveled to North America to study at the University of Toronto and Yale University. Subsequently his music are widely performed and well-received around the world.
520 $a After presenting background information on Western music in China and an introduction to basic Chinese music theory, this dissertation has analyzed the entire Concerto, with a particular focus on identifying, comparing, and analyzing elements of Western and Chinese music. After a survey of the formal structure of the Concerto, this study has discussed Chinese modality and Western harmony--the two most important factors in the conception of Huang's Concerto. A comparative study between Chinese folk songs and the thematic materials in the Concerto is followed by a discussion on "imitations" of Chinese instruments. The study has also examined Western compositional techniques incorporated into this Concerto such as thematic transformation, contrapuntal writing, cyclic procedure, as well as atonal and serial techniques. Through a detailed analytical study, this dissertation attempts to demonstrate how Huang has blended Western and Chinese musical syntaxes to create an artistic work of remarkable worth which is also uniquely Chinese.
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793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9801409