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The Past Made Present: Three Holocau...
~
Zheng, Yiran.
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The Past Made Present: Three Holocaust Memorials in Berlin.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
The Past Made Present: Three Holocaust Memorials in Berlin./
作者:
Zheng, Yiran.
面頁冊數:
31 p.
附註:
Source: Dissertation Abstracts International, Volume: 76-08(E), Section: A.
Contained By:
Dissertation Abstracts International76-08A(E).
標題:
Art criticism. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1585982
ISBN:
9781321660395
The Past Made Present: Three Holocaust Memorials in Berlin.
Zheng, Yiran.
The Past Made Present: Three Holocaust Memorials in Berlin.
- 31 p.
Source: Dissertation Abstracts International, Volume: 76-08(E), Section: A.
Thesis (M.A.)--Maryland Institute College of Art, 2015.
Since the 1990s, memorial making in Germany has been dominated by a trend of "countermonuments". In the belief that straightforward representations of the Holocaust in an urban surrounding as a public gesture would make it less urgent for the viewers to engage in the memorial, artists who dedicate themselves to "countermonuments" attempt to invite the viewers to actively interpret the meaning of the work for themselves. This trend coincides with a broader trend in memorial design, following the modernist and constructivist movements in art and architecture, which has shifted away from explicit representation toward the use of more abstract forms, and focuses visitors' attention on the shape and material of the artwork. This paper will examine three memorials in Berlin, namely the Mirrored Wall Memorial, Places of Remembrance and the Garden of Exile, with a focus on their contexts and artistic expressions. Featuring a direct phenomenological interaction with the site and space around them, these memorials associate their viewers with the historic contexts of the sites in their unique way. In doing so, a knowledge and understanding of the past is accessible within the present.
ISBN: 9781321660395Subjects--Topical Terms:
526357
Art criticism.
The Past Made Present: Three Holocaust Memorials in Berlin.
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Since the 1990s, memorial making in Germany has been dominated by a trend of "countermonuments". In the belief that straightforward representations of the Holocaust in an urban surrounding as a public gesture would make it less urgent for the viewers to engage in the memorial, artists who dedicate themselves to "countermonuments" attempt to invite the viewers to actively interpret the meaning of the work for themselves. This trend coincides with a broader trend in memorial design, following the modernist and constructivist movements in art and architecture, which has shifted away from explicit representation toward the use of more abstract forms, and focuses visitors' attention on the shape and material of the artwork. This paper will examine three memorials in Berlin, namely the Mirrored Wall Memorial, Places of Remembrance and the Garden of Exile, with a focus on their contexts and artistic expressions. Featuring a direct phenomenological interaction with the site and space around them, these memorials associate their viewers with the historic contexts of the sites in their unique way. In doing so, a knowledge and understanding of the past is accessible within the present.
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