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"I knew what I did and I did it with...
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Pack, Uraina N.
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"I knew what I did and I did it with deliberate calculation": Anxiety and tricksterism in African American autobiography.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
"I knew what I did and I did it with deliberate calculation": Anxiety and tricksterism in African American autobiography./
作者:
Pack, Uraina N.
面頁冊數:
290 p.
附註:
Source: Dissertation Abstracts International, Volume: 65-12, Section: A, page: 4553.
Contained By:
Dissertation Abstracts International65-12A.
標題:
Comparative literature. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3158262
ISBN:
9780496906574
"I knew what I did and I did it with deliberate calculation": Anxiety and tricksterism in African American autobiography.
Pack, Uraina N.
"I knew what I did and I did it with deliberate calculation": Anxiety and tricksterism in African American autobiography.
- 290 p.
Source: Dissertation Abstracts International, Volume: 65-12, Section: A, page: 4553.
Thesis (Ph.D.)--University of Kentucky, 2004.
The origins and uses of the trickster figure in African and African American folklore have been much studied. A figure who engages in dissimulation, lying, jokes, deception, and the rhetorical manipulation of verbal and written language usage, the African trickster embodied themes of individual survival and self-betterment and was readily adapted and transformed to the regime of New World slavery and oppression to represent a collective worldview now emphasizing survival and self-betterment not only of the individual, but also of the race. As such, the trickster was critical to the development of African American orature and literature. This dissertation specifically examines verbal tricksterism in African American life-writings, in slave narratives and autobiographies, texts where the carefully coded deceptions, dissimulations, and ironies typical of the trickster powerfully contribute to representations of individual and collective survival and progress.
ISBN: 9780496906574Subjects--Topical Terms:
570001
Comparative literature.
"I knew what I did and I did it with deliberate calculation": Anxiety and tricksterism in African American autobiography.
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Source: Dissertation Abstracts International, Volume: 65-12, Section: A, page: 4553.
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Director: Steven Weisenburger.
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Thesis (Ph.D.)--University of Kentucky, 2004.
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The origins and uses of the trickster figure in African and African American folklore have been much studied. A figure who engages in dissimulation, lying, jokes, deception, and the rhetorical manipulation of verbal and written language usage, the African trickster embodied themes of individual survival and self-betterment and was readily adapted and transformed to the regime of New World slavery and oppression to represent a collective worldview now emphasizing survival and self-betterment not only of the individual, but also of the race. As such, the trickster was critical to the development of African American orature and literature. This dissertation specifically examines verbal tricksterism in African American life-writings, in slave narratives and autobiographies, texts where the carefully coded deceptions, dissimulations, and ironies typical of the trickster powerfully contribute to representations of individual and collective survival and progress.
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African and African American folktales were the primary source for models of trickster behavior. African tricksters such as Esu Elegbara, the focus of Henry Louis Gates' study of the Signifying Monkey, reinforced man's relation to divinity and society by constantly reinterpreting and critiquing language and text. African American tricksters, such as the popular animal trickster Br'er Rabbit and John from the John and Old Master stories, represented multiple strategies of resistance to New World enslavement.
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The transmission from folklore to literature occurred with slaves' acquisition of literacy. Because folkloric transmission was primarily oral due to the prohibition of literacy, literature gave slave narrators the opportunity to adapt and transform cultural materials within their texts. The early chapters of this dissertation examine how the trickster specifically manifested folk culture in literature, specifically within slave narratives, and involving the literal performance of acts of subversion, and deception, as well as the manipulation of situations, people, and events. The chapters also show how tricksterism involves rhetorical manipulations of language to justify trickster behavior, typically by situating the narrator within a given cultural or social context of oppression that legitimizes his or her uses of subversion and deception to assert and share with readers the individual's common humanity and freedom. Later chapters examine autobiographical texts by Washington, Du Bois, Wells, and Terrell discuss how tricksterism performed the service of racial uplift.
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Chapters build from the research of leading folklorists and literary critics in black studies, figures such as Roger Abrams, Stith Thompson, Melville Herskovits, Zora Neale Hurston, and Lawrence Levine, who all contribute to the field through the collection and evaluation of origins and meanings within the tales. Current literary critics in autobiographical studies and black studies such as William L. Andrews, Rafia Zafar, Frances Smith Foster, Houston Baker, and Henry Louis Gates, Jr. have firmly established the value of folklore and autobiography to understanding the black experience. In the area of black women's studies the Black Women in United States History series edited by Darlene Clark Hine is also integral to this project's perspective on black women's resistance and gains for the race. This dissertation thus sets forward a theory of the trickster as a representative figure of continued cultural retention, both conscious and unconscious, validating the tradition of adaptive folk culture as a tool for individual and collective survival and progress.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3158262
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