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A perception-centric framework for d...

Smock, Brandon.

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A perception-centric framework for digital timbre manipulation in music composition.

Record Type:	Electronic resources : Monograph/item
Title/Author:	A perception-centric framework for digital timbre manipulation in music composition./
Author:	Smock, Brandon.
Description:	101 p.
Notes:	Source: Dissertation Abstracts International, Volume: 76-05(E), Section: B.
Contained By:	Dissertation Abstracts International76-05B(E).
Subject:	Computer science. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3647870
ISBN:	9781321421859

A perception-centric framework for digital timbre manipulation in music composition.
Smock, Brandon.

A perception-centric framework for digital timbre manipulation in music composition. - 101 p.

Source: Dissertation Abstracts International, Volume: 76-05(E), Section: B.

Thesis (Ph.D.)--University of Florida, 2014.

In this work, a new framework is developed for the unrestricted manipulation of timbre in musical composition. Unlike other perceptual musical attributes such as pitch or loudness, timbre is not a one-dimensional property, and is not easily manipulated in a flexible yet precisely-controlled manner. The multi-dimensional nature of timbre has been previously studied using multi-dimensional scaling (MDS) techniques. The outcome of a study involving timbre and MDS is typically referred to as a timbre space. Previous timbre spaces have been suitable for a high-level description of some of the underlying dimensions of timbre, but not to a satisfying degree, and have not been suitable for subsequent synthesis of timbre. In this work, four design goals are proposed for a timbre space suitable for composition, along with ways in which to satisfy them. They are: perception, synthesis, interface, and modularity. The primary focus of this work is on the first goal of perception. Understanding the mental representation of timbre at a fundamental level is vital to achieving an effective and compact system for timbre manipulation. Due to the current lack of a satisfying model of timbre perception, we devise new methods and propose new ideas to develop one. As a result, contributions of this work include an improved experimental procedure for the study of perceptual spaces, theoretical contributions to the study of timbre, a novel timbre space suitable for synthesis, a new periodic waveform analysis technique, and a detailed blueprint for the implementation of a system for timbre manipulation in composition.

ISBN: 9781321421859Subjects--Topical Terms:

523869
Computer science.

A perception-centric framework for digital timbre manipulation in music composition.
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100 1 $a Smock, Brandon. $3 3179010
245 1 2 $a A perception-centric framework for digital timbre manipulation in music composition.
300 $a 101 p.
500 $a Source: Dissertation Abstracts International, Volume: 76-05(E), Section: B.
500 $a Adviser: Anand Rangarajan.
502 $a Thesis (Ph.D.)--University of Florida, 2014.
520 $a In this work, a new framework is developed for the unrestricted manipulation of timbre in musical composition. Unlike other perceptual musical attributes such as pitch or loudness, timbre is not a one-dimensional property, and is not easily manipulated in a flexible yet precisely-controlled manner. The multi-dimensional nature of timbre has been previously studied using multi-dimensional scaling (MDS) techniques. The outcome of a study involving timbre and MDS is typically referred to as a timbre space. Previous timbre spaces have been suitable for a high-level description of some of the underlying dimensions of timbre, but not to a satisfying degree, and have not been suitable for subsequent synthesis of timbre. In this work, four design goals are proposed for a timbre space suitable for composition, along with ways in which to satisfy them. They are: perception, synthesis, interface, and modularity. The primary focus of this work is on the first goal of perception. Understanding the mental representation of timbre at a fundamental level is vital to achieving an effective and compact system for timbre manipulation. Due to the current lack of a satisfying model of timbre perception, we devise new methods and propose new ideas to develop one. As a result, contributions of this work include an improved experimental procedure for the study of perceptual spaces, theoretical contributions to the study of timbre, a novel timbre space suitable for synthesis, a new periodic waveform analysis technique, and a detailed blueprint for the implementation of a system for timbre manipulation in composition.
590 $a School code: 0070.
650 4 $a Computer science. $3 523869
650 4 $a Music. $3 516178
650 4 $a Quantitative psychology. $3 2144748
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690 $a 0632
710 2 $a University of Florida. $b Computer and Information Science and Engineering. $3 3179011
773 0 $t Dissertation Abstracts International $g 76-05B(E).
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791 $a Ph.D.
792 $a 2014
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3647870