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Stage, Body, Text: Beckett's and Wei...

Tamarkin, Nicholas.

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Stage, Body, Text: Beckett's and Weiss's Theaters of Embodiment.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Stage, Body, Text: Beckett's and Weiss's Theaters of Embodiment./
作者:	Tamarkin, Nicholas.
面頁冊數:	221 p.
附註:	Source: Dissertation Abstracts International, Volume: 76-09(E), Section: A.
Contained By:	Dissertation Abstracts International76-09A(E).
標題:	Comparative literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3700216
ISBN:	9781321700688

Stage, Body, Text: Beckett's and Weiss's Theaters of Embodiment.
Tamarkin, Nicholas.

Stage, Body, Text: Beckett's and Weiss's Theaters of Embodiment. - 221 p.

Source: Dissertation Abstracts International, Volume: 76-09(E), Section: A.

Thesis (Ph.D.)--Washington University in St. Louis, 2015.

This item must not be sold to any third party vendors.

In this dissertation, "Stage, Body, Text: Beckett's and Weiss's Theaters of Embodiment," I compare theories of acting and spectatorship in theatre and film, focusing on representations of the human body in the work of Samuel Beckett and Peter Weiss. I argue that film and theatre acting must be theorized in specific relation to each other, and that media comparisons should be a central aspect of both theatre and film criticism. Through close readings of Beckett's and Weiss's work, I explicate the intimacies between theatre and film acting and spectatorship; the role of the written text as it relates to embodied representation; and tropes of bodily fragmentation and alienation that became newly relevant in the 1950s and 1960s in Western Europe. Using a comparative media framework, my study treats these theoretical approaches to film and theater acting as being critically similar, reevaluating different concepts of the performing body in film genre studies, playwriting styles and acting systems, and in specific experiments with text, body, and technology in modernist theatre.

ISBN: 9781321700688Subjects--Topical Terms:

570001
Comparative literature.

Stage, Body, Text: Beckett's and Weiss's Theaters of Embodiment.
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500 $a Source: Dissertation Abstracts International, Volume: 76-09(E), Section: A.
500 $a Advisers: Lutz Koepnick; Lynne Tatlock.
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506 $a This item must not be added to any third party search indexes.
520 $a In this dissertation, "Stage, Body, Text: Beckett's and Weiss's Theaters of Embodiment," I compare theories of acting and spectatorship in theatre and film, focusing on representations of the human body in the work of Samuel Beckett and Peter Weiss. I argue that film and theatre acting must be theorized in specific relation to each other, and that media comparisons should be a central aspect of both theatre and film criticism. Through close readings of Beckett's and Weiss's work, I explicate the intimacies between theatre and film acting and spectatorship; the role of the written text as it relates to embodied representation; and tropes of bodily fragmentation and alienation that became newly relevant in the 1950s and 1960s in Western Europe. Using a comparative media framework, my study treats these theoretical approaches to film and theater acting as being critically similar, reevaluating different concepts of the performing body in film genre studies, playwriting styles and acting systems, and in specific experiments with text, body, and technology in modernist theatre.
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