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Minority representation in popular c...

Miller, Jeffrey.

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Minority representation in popular culture.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Minority representation in popular culture./
作者:	Miller, Jeffrey.
面頁冊數:	69 p.
附註:	Source: Masters Abstracts International, Volume: 53-01.
Contained By:	Masters Abstracts International53-01(E).
標題:	American literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1527805
ISBN:	9781303979507

Minority representation in popular culture.
Miller, Jeffrey.

Minority representation in popular culture. - 69 p.

Source: Masters Abstracts International, Volume: 53-01.

Thesis (M.A.)--Florida Atlantic University, 2014.

This item must not be sold to any third party vendors.

This thesis focuses on the continuous misrepresentations that appear throughout different outlets of popular culture and the negative impacts of these misrepresentations. In the first chapter, the focus will be on the films The Last of the Mohicans and The Mission and the origins and implications of the misrepresentation of Indians in film. The second chapter uses rap music videos such as 50 Cent's In Da Club, Nelly's Tip Drill, LMFAO and Lil John's Shots, Where Da Hood At, Tupac's Hit 'Em up, and N.W.A.'s Straight Outta Compton as primary texts to demonstrate the one dimensional and problematic representations of African American Identity in the rap music industry. The third and final chapter uses the video games Grand Theft Auto III and Gun as examples of the negative representations that occur and are repeated quickly in the rapidly improving world of video games. While the misrepresentations are achieved and perpetuated differently in each medium, their ubiquitous presence in popular culture calls for discussion.

ISBN: 9781303979507Subjects--Topical Terms:

523234
American literature.

Minority representation in popular culture.
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520 $a This thesis focuses on the continuous misrepresentations that appear throughout different outlets of popular culture and the negative impacts of these misrepresentations. In the first chapter, the focus will be on the films The Last of the Mohicans and The Mission and the origins and implications of the misrepresentation of Indians in film. The second chapter uses rap music videos such as 50 Cent's In Da Club, Nelly's Tip Drill, LMFAO and Lil John's Shots, Where Da Hood At, Tupac's Hit 'Em up, and N.W.A.'s Straight Outta Compton as primary texts to demonstrate the one dimensional and problematic representations of African American Identity in the rap music industry. The third and final chapter uses the video games Grand Theft Auto III and Gun as examples of the negative representations that occur and are repeated quickly in the rapidly improving world of video games. While the misrepresentations are achieved and perpetuated differently in each medium, their ubiquitous presence in popular culture calls for discussion.
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