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The Romantic era literary preface.
~
Herrington-Perry, Mary Catherine.
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The Romantic era literary preface.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
The Romantic era literary preface./
作者:
Herrington-Perry, Mary Catherine.
面頁冊數:
231 p.
附註:
Source: Dissertation Abstracts International, Volume: 62-08, Section: A, page: 2770.
Contained By:
Dissertation Abstracts International62-08A.
標題:
English literature. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3024168
ISBN:
9780493359434
The Romantic era literary preface.
Herrington-Perry, Mary Catherine.
The Romantic era literary preface.
- 231 p.
Source: Dissertation Abstracts International, Volume: 62-08, Section: A, page: 2770.
Thesis (Ph.D.)--Indiana University, 2001.
This item must not be sold to any third party vendors.
This dissertation examines literary prefaces of the Romantic era, their prevalent features and variations, the solutions they offered, and the problems they posed. It pays particular attention to the prefaces of William Wordsworth's 1800 edition of Lyrical Ballads, Charlotte Smith's Elegiac Sonnets, Walter Scott's Waverly, Mary Shelley's The Last Man, Percy Shelley's The Cenci, and John Clare's Midsummer Cushion, concluding with a defense of Wordsworth's The Prelude as preface to Lyrical Ballads. It focuses on the various means Romantic era prefacers used to mediate the reading of the "main work" and on the success of those attempts, as measured by contemporary critical responses.
ISBN: 9780493359434Subjects--Topical Terms:
516356
English literature.
The Romantic era literary preface.
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Source: Dissertation Abstracts International, Volume: 62-08, Section: A, page: 2770.
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Chair: Mary A. Favret.
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Thesis (Ph.D.)--Indiana University, 2001.
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This item must not be sold to any third party vendors.
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This dissertation examines literary prefaces of the Romantic era, their prevalent features and variations, the solutions they offered, and the problems they posed. It pays particular attention to the prefaces of William Wordsworth's 1800 edition of Lyrical Ballads, Charlotte Smith's Elegiac Sonnets, Walter Scott's Waverly, Mary Shelley's The Last Man, Percy Shelley's The Cenci, and John Clare's Midsummer Cushion, concluding with a defense of Wordsworth's The Prelude as preface to Lyrical Ballads. It focuses on the various means Romantic era prefacers used to mediate the reading of the "main work" and on the success of those attempts, as measured by contemporary critical responses.
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My approach, formalism, is cognizant of the evidence that form is no end in itself, separate from the "vision" or "matter" that informs it. In the Romantic period, each use of the preface as form had a unique dimension as well, one derived in response to its specific kairos, the context of its publication, a context that included text, author, and audience. Its innate flexibility may explain why Romantic era prefaces differ little from those of other periods: there was no need for significant mutation in a genre that bent so easily to the demands of the various cultures---literary, material, historical, socio-political---in which it was produced. The period did, however, create one significant variation, a type I call the "narrative preface." Designed to obscure its attempts to influence the reader, the narrative preface---which focuses on process, not product---tells the story of its main work's origins, as in what may be the most famous example, the preface to Coleridge's "Kubla Khan."
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To ensure that these and other prefaces are accessible to readers, I have included them in the web page I constructed at http://www.ux1.eiu.edu/∼csmhp/.
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