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The piratical ethos: Textual activit...
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Lewis, Justin Alvin.
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The piratical ethos: Textual activity and intellectual property in digital environments.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
The piratical ethos: Textual activity and intellectual property in digital environments./
作者:
Lewis, Justin Alvin.
面頁冊數:
293 p.
附註:
Source: Dissertation Abstracts International, Volume: 75-01(E), Section: A.
Contained By:
Dissertation Abstracts International75-01A(E).
標題:
Technical communication. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3597235
ISBN:
9781303450112
The piratical ethos: Textual activity and intellectual property in digital environments.
Lewis, Justin Alvin.
The piratical ethos: Textual activity and intellectual property in digital environments.
- 293 p.
Source: Dissertation Abstracts International, Volume: 75-01(E), Section: A.
Thesis (Ph.D.)--Syracuse University, 2013.
This item must not be sold to any third party vendors.
The Piratical Ethos: Textual Activity and Intellectual Property in Digital Environments examines the definition, function, and application of intellectual property in contexts of electronically mediated social production. With a focus on immaterial production - or the forms of coordinated social activity employed to produce knowledge and information in the networked information economy - this project ultimately aims to demonstrate how current intellectual property paradigms must be rearticulated for an age of digital (re)production. By considering the themes of "Piracy", "Intellectual Property", and "Distributed Social Production" this dissertation provides an overview of the current state of peer production and intellectual property in the Humanities and Writing Studies. Next, this project develops and implements a communicational-mediational research methodology to theorize how both discursive and material data lend themselves to a more nuanced understanding of the ways that technologies of communication and coordination effect attitudes toward intellectual property. After establishing both a methodology and an interdisciplinary grounding for the themes of the work, this dissertation presents a grounded theoretic analysis of piratical discourse to reveal what I call the "piratical ethos", or the guiding attitudes of individuals actively contesting intellectual property in piratical acts of distributed social production. Congruently, this work also investigates the material dynamics of piratical activity by analyzing the cultural-historical activity systems wherein piratical subjectivity emerges, emphasizing the agenic capacity of interfacial technologies at the scales of user and system. Exploring the attitudes of piratical subjects and the technological genres that mediate piratical activity, I contend that the conclusions drawn from The Piratical Ethos can assist Writing Studies researchers with developing novel methodologies to study the intersections of intellectual property and distributed social production in digital worlds.
ISBN: 9781303450112Subjects--Topical Terms:
3172863
Technical communication.
The piratical ethos: Textual activity and intellectual property in digital environments.
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The Piratical Ethos: Textual Activity and Intellectual Property in Digital Environments examines the definition, function, and application of intellectual property in contexts of electronically mediated social production. With a focus on immaterial production - or the forms of coordinated social activity employed to produce knowledge and information in the networked information economy - this project ultimately aims to demonstrate how current intellectual property paradigms must be rearticulated for an age of digital (re)production. By considering the themes of "Piracy", "Intellectual Property", and "Distributed Social Production" this dissertation provides an overview of the current state of peer production and intellectual property in the Humanities and Writing Studies. Next, this project develops and implements a communicational-mediational research methodology to theorize how both discursive and material data lend themselves to a more nuanced understanding of the ways that technologies of communication and coordination effect attitudes toward intellectual property. After establishing both a methodology and an interdisciplinary grounding for the themes of the work, this dissertation presents a grounded theoretic analysis of piratical discourse to reveal what I call the "piratical ethos", or the guiding attitudes of individuals actively contesting intellectual property in piratical acts of distributed social production. Congruently, this work also investigates the material dynamics of piratical activity by analyzing the cultural-historical activity systems wherein piratical subjectivity emerges, emphasizing the agenic capacity of interfacial technologies at the scales of user and system. Exploring the attitudes of piratical subjects and the technological genres that mediate piratical activity, I contend that the conclusions drawn from The Piratical Ethos can assist Writing Studies researchers with developing novel methodologies to study the intersections of intellectual property and distributed social production in digital worlds.
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