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American Literary Regionalism and th...

So, Brandi.

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American Literary Regionalism and the Sister Arts: Local Color Outside the Lines.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	American Literary Regionalism and the Sister Arts: Local Color Outside the Lines./
作者:	So, Brandi.
面頁冊數:	288 p.
附註:	Source: Dissertation Abstracts International, Volume: 76-11(E), Section: A.
Contained By:	Dissertation Abstracts International76-11A(E).
標題:	American literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3713500
ISBN:	9781321900354

American Literary Regionalism and the Sister Arts: Local Color Outside the Lines.
So, Brandi.

American Literary Regionalism and the Sister Arts: Local Color Outside the Lines. - 288 p.

Source: Dissertation Abstracts International, Volume: 76-11(E), Section: A.

Thesis (Ph.D.)--State University of New York at Stony Brook, 2015.

This item must not be sold to any third party vendors.

American literary regionalism was partitioned off from literary realism in a manner that marginalized a movement dominated by women. The gendering of the genre stems in part from the unprecedented integration of women authors into the mainstream market. Conversely, the masculinization of literary ekphrasis still actively shapes its relative discourse. Traditional characterizations of ekphrasis imagine a masculine and aggressive act upon a disempowered, voiceless, feminized object. The timbre of this conversation is often sexual in its connotation, and relies on a theory of art epitomized by the female nude. This dissertation argues that ekphrasis is a formal trait of literary regionalism in that the genre recapitulates the visual impression of an author who found that impression artistically significant. I argue that regionalism and ekphrasis share a theoretical similarity that opens fruitful cross-interrogations. Holding that analyses of regionalist literature benefit from the theoretical lenses commonly applied to literary ekphrasis, I show that the visual roots of American literary regionalism run as deep as American history itself.

ISBN: 9781321900354Subjects--Topical Terms:

523234
American literature.

American Literary Regionalism and the Sister Arts: Local Color Outside the Lines.
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245 1 0 $a American Literary Regionalism and the Sister Arts: Local Color Outside the Lines.
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500 $a Source: Dissertation Abstracts International, Volume: 76-11(E), Section: A.
500 $a Adviser: Andrew Newman.
502 $a Thesis (Ph.D.)--State University of New York at Stony Brook, 2015.
506 $a This item must not be sold to any third party vendors.
520 $a American literary regionalism was partitioned off from literary realism in a manner that marginalized a movement dominated by women. The gendering of the genre stems in part from the unprecedented integration of women authors into the mainstream market. Conversely, the masculinization of literary ekphrasis still actively shapes its relative discourse. Traditional characterizations of ekphrasis imagine a masculine and aggressive act upon a disempowered, voiceless, feminized object. The timbre of this conversation is often sexual in its connotation, and relies on a theory of art epitomized by the female nude. This dissertation argues that ekphrasis is a formal trait of literary regionalism in that the genre recapitulates the visual impression of an author who found that impression artistically significant. I argue that regionalism and ekphrasis share a theoretical similarity that opens fruitful cross-interrogations. Holding that analyses of regionalist literature benefit from the theoretical lenses commonly applied to literary ekphrasis, I show that the visual roots of American literary regionalism run as deep as American history itself.
520 $a My work pursues the interpretations made possible by these ekphrastic associations. In a chapter about Sarah Orne Jewett and Charlotte Perkins Gilman's watercolor paintings, I find in Jewett a dialectization of the Victorian-era "language of flowers" that critiques the social restraints plaguing women's spiritual and reproductive health. In Gilman, a startling alternative reading, one of conversion and transcendence, emerges in "The Yellow Wall-paper" (1892) by applying the formal tenets of the artistic arabesque to the structure of her literary arabesque. The next chapter focuses on the epiphanic ekphraseis of modernist Willa Cather, which integrate her sense of region with her background as a theatre, opera, and art critic. In the closing chapter, I show how the works of Southern literary regionalists Eudora Welty and Flannery O'Connor both advance themes of "double vision" that emerge most clearly in their paintings. In analyzing ekphraseis outside of overly-simple traditions, that is, considering female authors who deploy ekphraseis of their own art, I show that such representations constitute a double voicing of the authorial self, rather than the masculinist appropriation of a feminized 'other.'
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