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Producing a popular music: The emerg...

Gautier, Alba.

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Producing a popular music: The emergence and development of rap as an industry.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Producing a popular music: The emergence and development of rap as an industry./
作者:	Gautier, Alba.
面頁冊數:	125 p.
附註:	Source: Masters Abstracts International, Volume: 42-05, page: 1431.
Contained By:	Masters Abstracts International42-05.
標題:	Mass communication. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=MQ88642
ISBN:	9780612886421

Producing a popular music: The emergence and development of rap as an industry.
Gautier, Alba.

Producing a popular music: The emergence and development of rap as an industry. - 125 p.

Source: Masters Abstracts International, Volume: 42-05, page: 1431.

Thesis (M.A.)--McGill University (Canada), 2003.

This item must not be sold to any third party vendors.

In this thesis, I trace the evolution of the rap market from its emergence in 1979 in New York City to its development into a national industry in 1990. I analyze the motivations of the producers of rap and the mechanisms that led to their current organization. Independent labels were the primary producers of rap records until they made distribution deals with major record companies in the second half of the eighties. I argue that the division of labor between production and distribution, which became the most common context for the production of the music, is both the result of an organizational strategy initiated by the majors and of the negative perception their executives had of rap artists.

ISBN: 9780612886421Subjects--Topical Terms:

2144804
Mass communication.

Producing a popular music: The emergence and development of rap as an industry.
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500 $a Source: Masters Abstracts International, Volume: 42-05, page: 1431.
500 $a Adviser: Sheryl Hamilton.
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506 $a This item must not be sold to any third party vendors.
506 $a This item must not be added to any third party search indexes.
520 $a In this thesis, I trace the evolution of the rap market from its emergence in 1979 in New York City to its development into a national industry in 1990. I analyze the motivations of the producers of rap and the mechanisms that led to their current organization. Independent labels were the primary producers of rap records until they made distribution deals with major record companies in the second half of the eighties. I argue that the division of labor between production and distribution, which became the most common context for the production of the music, is both the result of an organizational strategy initiated by the majors and of the negative perception their executives had of rap artists.
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