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Departure acts: Anonymous authorship...
~
Drake, Scott.
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Departure acts: Anonymous authorship in the late twentieth century.
Record Type:
Electronic resources : Monograph/item
Title/Author:
Departure acts: Anonymous authorship in the late twentieth century./
Author:
Drake, Scott.
Description:
280 p.
Notes:
Source: Dissertation Abstracts International, Volume: 76-01(E), Section: A.
Contained By:
Dissertation Abstracts International76-01A(E).
Subject:
American literature. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3674023
ISBN:
9781321247954
Departure acts: Anonymous authorship in the late twentieth century.
Drake, Scott.
Departure acts: Anonymous authorship in the late twentieth century.
- 280 p.
Source: Dissertation Abstracts International, Volume: 76-01(E), Section: A.
Thesis (Ph.D.)--Simon Fraser University (Canada), 2011.
This item must not be sold to any third party vendors.
This dissertation explores mid to late twentieth century manifestations of anonymous authorship as both an aesthetic and material site that is co-existent with the textual issues of originality and ownership contained within their fiction. Working out of, among others, Michel Foucault's insights on the institutional function of authorship, Gilles Deleuze and Felix Guattari's notion of rhizomatic production and Pierre Bourdieu's understanding of the field of cultural production, I examine how self-reflexive anonymous authorship becomes a textual construction that must be read alongside the privatizing effects of copyright on textual production in the economic-juridical order of neoliberalism through a specific look at the relation between materiality and aesthetics in such figures as J.D. Salinger, Thomas Pynchon and Wu Ming. In so doing, I contend that the institutional function authorship reveals a provocative collusion of aesthetics, copyright and corporatization in the late twentieth century. Arguing that self-reflexive anonymous authorship--- in its emphasis on its own mediated status and dissembling---acts as a dissident form of cultural production in the economic-juridical order of neoliberalism.
ISBN: 9781321247954Subjects--Topical Terms:
523234
American literature.
Departure acts: Anonymous authorship in the late twentieth century.
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Source: Dissertation Abstracts International, Volume: 76-01(E), Section: A.
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Adviser: Betty Schellenberg.
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Thesis (Ph.D.)--Simon Fraser University (Canada), 2011.
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This dissertation explores mid to late twentieth century manifestations of anonymous authorship as both an aesthetic and material site that is co-existent with the textual issues of originality and ownership contained within their fiction. Working out of, among others, Michel Foucault's insights on the institutional function of authorship, Gilles Deleuze and Felix Guattari's notion of rhizomatic production and Pierre Bourdieu's understanding of the field of cultural production, I examine how self-reflexive anonymous authorship becomes a textual construction that must be read alongside the privatizing effects of copyright on textual production in the economic-juridical order of neoliberalism through a specific look at the relation between materiality and aesthetics in such figures as J.D. Salinger, Thomas Pynchon and Wu Ming. In so doing, I contend that the institutional function authorship reveals a provocative collusion of aesthetics, copyright and corporatization in the late twentieth century. Arguing that self-reflexive anonymous authorship--- in its emphasis on its own mediated status and dissembling---acts as a dissident form of cultural production in the economic-juridical order of neoliberalism.
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Keywords: Twentieth Century American Fiction; Theories of Authorship; J.D. Salinger; Thomas Pynchon; Wu Ming; Luther Blissett.
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School code: 0791.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3674023
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