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The Matins Responsory at Mexico City...

Goldman, Dianne Marie Lehmann.

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The Matins Responsory at Mexico City Cathedral, 1575-1815.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The Matins Responsory at Mexico City Cathedral, 1575-1815./
作者:	Goldman, Dianne Marie Lehmann.
面頁冊數:	798 p.
附註:	Source: Dissertation Abstracts International, Volume: 75-10(E), Section: A.
Contained By:	Dissertation Abstracts International75-10A(E).
標題:	Music. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3626643
ISBN:	9781321016604

The Matins Responsory at Mexico City Cathedral, 1575-1815.
Goldman, Dianne Marie Lehmann.

The Matins Responsory at Mexico City Cathedral, 1575-1815. - 798 p.

Source: Dissertation Abstracts International, Volume: 75-10(E), Section: A.

Thesis (Ph.D.)--Northwestern University, 2014.

This item must not be sold to any third party vendors.

Mexico City Cathedral's music archive preserves more than 300 polyphonic responsories produced during the viceregal period, most of which date to the second half of the eighteenth century. These sources show changes in musical style and performance context, as responsories shifted from being used on special occasions (c.1550-c.1675), to performance on a variety of feasts (c.1690-c.1715), to standardized use on all feast days (after 1756). This dissertation documents, examines, and explains the history and development of musical settings of responsories at Mexico City Cathedral and the roles that they and other issues, such as legacy chantries and personal devotions, played in forming the cathedral's liturgical practices for the matins service between 1575 and 1815. Each chapter in this dissertation engages a shift in style and importance of the responsory to the cathedral's liturgical and devotional culture; musical analyses reinforce the discussion and point to conclusions regarding the responsory's changing historical and cultural contexts at the local, regional, and international level. Issues of authorship and intent and the methods of textual criticism and philology also figure into this archival study.

ISBN: 9781321016604Subjects--Topical Terms:

516178
Music.

The Matins Responsory at Mexico City Cathedral, 1575-1815.
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245 1 4 $a The Matins Responsory at Mexico City Cathedral, 1575-1815.
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500 $a Source: Dissertation Abstracts International, Volume: 75-10(E), Section: A.
500 $a Adviser: Drew E. Davies.
502 $a Thesis (Ph.D.)--Northwestern University, 2014.
506 $a This item must not be sold to any third party vendors.
520 $a Mexico City Cathedral's music archive preserves more than 300 polyphonic responsories produced during the viceregal period, most of which date to the second half of the eighteenth century. These sources show changes in musical style and performance context, as responsories shifted from being used on special occasions (c.1550-c.1675), to performance on a variety of feasts (c.1690-c.1715), to standardized use on all feast days (after 1756). This dissertation documents, examines, and explains the history and development of musical settings of responsories at Mexico City Cathedral and the roles that they and other issues, such as legacy chantries and personal devotions, played in forming the cathedral's liturgical practices for the matins service between 1575 and 1815. Each chapter in this dissertation engages a shift in style and importance of the responsory to the cathedral's liturgical and devotional culture; musical analyses reinforce the discussion and point to conclusions regarding the responsory's changing historical and cultural contexts at the local, regional, and international level. Issues of authorship and intent and the methods of textual criticism and philology also figure into this archival study.
520 $a The dissertation begins with works by Hernando Franco (1532-1585) for the matins of the dead, and continues with the careers and works of chapelmasters Antonio de Salazar (c.1650-1715), Ignacio Jerusalem (1707-1769), Matheo Tollis de la Rocca (1714-1759), and Antonio Juanas (c.1762-c.1821) among others, as well as related, non-chapelmaster composers. The final chapter takes examples from throughout the period and examines the ways chapelmasters reused pieces already present in the archive, updating and adapting them to fit their current needs. Chapters include analyses of musical, social, cultural, devotional, and political issues as well as stylistic analyses of representative examples of responsory settings to show how both the music, and the context for which it was created, changed. The appendices provide a list of responsory sources in the Archivo del Cabildo Catedral Metropolitano de Mexico (ACCMM), Mexico City Cathedral's music and document archive, and editions of fifteen previously unpublished works by five composers. These editions, as well as the discussions of performance practice issues, make this dissertation useful to both scholars and performers.
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