東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

The Matins Responsory at Mexico City...

Goldman, Dianne Marie Lehmann.

Linked to FindBook

Google Book

Amazon

博客來

The Matins Responsory at Mexico City Cathedral, 1575-1815.

Record Type:	Electronic resources : Monograph/item
Title/Author:	The Matins Responsory at Mexico City Cathedral, 1575-1815./
Author:	Goldman, Dianne Marie Lehmann.
Description:	798 p.
Notes:	Source: Dissertation Abstracts International, Volume: 75-10(E), Section: A.
Contained By:	Dissertation Abstracts International75-10A(E).
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3626643
ISBN:	9781321016604

The Matins Responsory at Mexico City Cathedral, 1575-1815.
Goldman, Dianne Marie Lehmann.

The Matins Responsory at Mexico City Cathedral, 1575-1815. - 798 p.

Source: Dissertation Abstracts International, Volume: 75-10(E), Section: A.

Thesis (Ph.D.)--Northwestern University, 2014.

This item must not be sold to any third party vendors.

Mexico City Cathedral's music archive preserves more than 300 polyphonic responsories produced during the viceregal period, most of which date to the second half of the eighteenth century. These sources show changes in musical style and performance context, as responsories shifted from being used on special occasions (c.1550-c.1675), to performance on a variety of feasts (c.1690-c.1715), to standardized use on all feast days (after 1756). This dissertation documents, examines, and explains the history and development of musical settings of responsories at Mexico City Cathedral and the roles that they and other issues, such as legacy chantries and personal devotions, played in forming the cathedral's liturgical practices for the matins service between 1575 and 1815. Each chapter in this dissertation engages a shift in style and importance of the responsory to the cathedral's liturgical and devotional culture; musical analyses reinforce the discussion and point to conclusions regarding the responsory's changing historical and cultural contexts at the local, regional, and international level. Issues of authorship and intent and the methods of textual criticism and philology also figure into this archival study.

ISBN: 9781321016604Subjects--Topical Terms:

516178
Music.

The Matins Responsory at Mexico City Cathedral, 1575-1815.
LDR:03370nmm a2200313 4500 001 2058599
005 20150716112059.5
008 170521s2014 ||||||||||||||||| ||eng d
020 $a 9781321016604
035 $a (MiAaPQ)AAI3626643
035 $a AAI3626643
040 $a MiAaPQ $c MiAaPQ
100 1 $a Goldman, Dianne Marie Lehmann. $3 3172580
245 1 4 $a The Matins Responsory at Mexico City Cathedral, 1575-1815.
300 $a 798 p.
500 $a Source: Dissertation Abstracts International, Volume: 75-10(E), Section: A.
500 $a Adviser: Drew E. Davies.
502 $a Thesis (Ph.D.)--Northwestern University, 2014.
506 $a This item must not be sold to any third party vendors.
520 $a Mexico City Cathedral's music archive preserves more than 300 polyphonic responsories produced during the viceregal period, most of which date to the second half of the eighteenth century. These sources show changes in musical style and performance context, as responsories shifted from being used on special occasions (c.1550-c.1675), to performance on a variety of feasts (c.1690-c.1715), to standardized use on all feast days (after 1756). This dissertation documents, examines, and explains the history and development of musical settings of responsories at Mexico City Cathedral and the roles that they and other issues, such as legacy chantries and personal devotions, played in forming the cathedral's liturgical practices for the matins service between 1575 and 1815. Each chapter in this dissertation engages a shift in style and importance of the responsory to the cathedral's liturgical and devotional culture; musical analyses reinforce the discussion and point to conclusions regarding the responsory's changing historical and cultural contexts at the local, regional, and international level. Issues of authorship and intent and the methods of textual criticism and philology also figure into this archival study.
520 $a The dissertation begins with works by Hernando Franco (1532-1585) for the matins of the dead, and continues with the careers and works of chapelmasters Antonio de Salazar (c.1650-1715), Ignacio Jerusalem (1707-1769), Matheo Tollis de la Rocca (1714-1759), and Antonio Juanas (c.1762-c.1821) among others, as well as related, non-chapelmaster composers. The final chapter takes examples from throughout the period and examines the ways chapelmasters reused pieces already present in the archive, updating and adapting them to fit their current needs. Chapters include analyses of musical, social, cultural, devotional, and political issues as well as stylistic analyses of representative examples of responsory settings to show how both the music, and the context for which it was created, changed. The appendices provide a list of responsory sources in the Archivo del Cabildo Catedral Metropolitano de Mexico (ACCMM), Mexico City Cathedral's music and document archive, and editions of fifteen previously unpublished works by five composers. These editions, as well as the discussions of performance practice issues, make this dissertation useful to both scholars and performers.
590 $a School code: 0163.
650 4 $a Music. $3 516178
650 4 $a Cultural resources management. $3 2122774
650 4 $a Latin American studies. $3 2122903
690 $a 0413
690 $a 0436
690 $a 0550
710 2 $a Northwestern University. $b Musicology. $3 2094390
773 0 $t Dissertation Abstracts International $g 75-10A(E).
790 $a 0163
791 $a Ph.D.
792 $a 2014
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3626643