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Interregional Reception and Inventio...

Lee, Soyoung.

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Interregional Reception and Invention in Korean and Japanese Ceramics, 1400-1800.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Interregional Reception and Invention in Korean and Japanese Ceramics, 1400-1800./
作者:	Lee, Soyoung.
面頁冊數:	257 p.
附註:	Source: Dissertation Abstracts International, Volume: 75-11(E), Section: A.
Contained By:	Dissertation Abstracts International75-11A(E).
標題:	Art History. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3628210
ISBN:	9781321037821

Interregional Reception and Invention in Korean and Japanese Ceramics, 1400-1800.
Lee, Soyoung.

Interregional Reception and Invention in Korean and Japanese Ceramics, 1400-1800. - 257 p.

Source: Dissertation Abstracts International, Volume: 75-11(E), Section: A.

Thesis (Ph.D.)--Columbia University, 2014.

This item must not be sold to any third party vendors.

One of the most stimulating issues in East Asian art history is the influence and reception of art and culture. My dissertation presents a case study of ceramic production and consumption between 1400-1800, in which Korea is a source for new art, and Japan is not only a recipient but an active transformer and innovator. The dissertation focuses on the following three themes: 1) ceramic production in Korea ca. 1400-1600, especially the unique buncheong ware; 2) the reception and consumption in Japan of buncheong and other non-porcelain ceramics produced in Korea ca. 1500-1700, some of which were made specifically for Japanese consumers; 3) the production of Korean-inspired stoneware in Japan, particularly in northern Kyushu, ca. 1600-1800.

ISBN: 9781321037821Subjects--Topical Terms:

635474
Art History.

Interregional Reception and Invention in Korean and Japanese Ceramics, 1400-1800.
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520 $a One of the most stimulating issues in East Asian art history is the influence and reception of art and culture. My dissertation presents a case study of ceramic production and consumption between 1400-1800, in which Korea is a source for new art, and Japan is not only a recipient but an active transformer and innovator. The dissertation focuses on the following three themes: 1) ceramic production in Korea ca. 1400-1600, especially the unique buncheong ware; 2) the reception and consumption in Japan of buncheong and other non-porcelain ceramics produced in Korea ca. 1500-1700, some of which were made specifically for Japanese consumers; 3) the production of Korean-inspired stoneware in Japan, particularly in northern Kyushu, ca. 1600-1800.
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