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Russian methodology of musical form ...

Khannanov, Ildar Damirovich.

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Russian methodology of musical form and analysis.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Russian methodology of musical form and analysis./
作者:	Khannanov, Ildar Damirovich.
面頁冊數:	330 p.
附註:	Source: Dissertation Abstracts International, Volume: 64-11, Section: A, page: 3899.
Contained By:	Dissertation Abstracts International64-11A.
標題:	Music. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3112899
ISBN:	9780496603954

Russian methodology of musical form and analysis.
Khannanov, Ildar Damirovich.

Russian methodology of musical form and analysis. - 330 p.

Source: Dissertation Abstracts International, Volume: 64-11, Section: A, page: 3899.

Thesis (Ph.D.)--University of California, Santa Barbara, 2003.

This item must not be sold to any third party vendors.

The subject of this dissertation is the interaction between two prominent systems of theory that were practiced in the Soviet Union. These two systems are identified by Russian theorists as "form analysis" and "integral analysis." To this day, they remain central to Russian musical thought.

ISBN: 9780496603954Subjects--Topical Terms:

516178
Music.

Russian methodology of musical form and analysis.
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100 1 $a Khannanov, Ildar Damirovich. $3 3171949
245 1 0 $a Russian methodology of musical form and analysis.
300 $a 330 p.
500 $a Source: Dissertation Abstracts International, Volume: 64-11, Section: A, page: 3899.
500 $a Chair: Pieter C. van den Toorn.
502 $a Thesis (Ph.D.)--University of California, Santa Barbara, 2003.
506 $a This item must not be sold to any third party vendors.
506 $a This item must not be added to any third party search indexes.
520 $a The subject of this dissertation is the interaction between two prominent systems of theory that were practiced in the Soviet Union. These two systems are identified by Russian theorists as "form analysis" and "integral analysis." To this day, they remain central to Russian musical thought.
520 $a Most of the debates involving formalists and integralists have remained unwritten, and unpublished. The debates have existed in the form of a decades-long confrontation that has never left the walls of the main conservatories. Some of the complex ideas behind this discussion can be explained by references to Western currents in music theory and philosophy, while other ideas have more mysterious origins. The latter deserves explanation both from within and from without the Russian theoretical tradition.
520 $a This dissertation presents a selective approach to the issues and concerns of Russian music theory, focusing on form analysis and integral analysis. The method used corresponds to the task of describing the debate between "integralists" and "formalists." It is therefore neither a historical overview of Russian musical culture, nor a comprehensive guide to all Russian analytical techniques. Rather, it is an attempt to discuss the origins of the most essential concepts and their clashes during the Soviet period.
590 $a School code: 0035.
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710 2 $a University of California, Santa Barbara. $3 1017586
773 0 $t Dissertation Abstracts International $g 64-11A.
790 $a 0035
791 $a Ph.D.
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793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3112899