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FABRICating FORM: Generating Three-D...

Dean, Felicia Francine.

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FABRICating FORM: Generating Three-Dimensional Upholstery amid Experiments in Process Driven Design.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	FABRICating FORM: Generating Three-Dimensional Upholstery amid Experiments in Process Driven Design./
作者:	Dean, Felicia Francine.
面頁冊數:	120 p.
附註:	Source: Masters Abstracts International, Volume: 53-02.
Contained By:	Masters Abstracts International53-02(E).
標題:	Design and Decorative Arts. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1558134
ISBN:	9781303973086

FABRICating FORM: Generating Three-Dimensional Upholstery amid Experiments in Process Driven Design.
Dean, Felicia Francine.

FABRICating FORM: Generating Three-Dimensional Upholstery amid Experiments in Process Driven Design. - 120 p.

Source: Masters Abstracts International, Volume: 53-02.

Thesis (M.F.A.)--The University of North Carolina at Greensboro, 2014.

This item must not be sold to any third party vendors.

As an artist and designer, I created works of art by actively researching, reflecting, experimenting, and producing projects which embodied theories, methods and processes of both practices. Additionally, my work utilized research from numerous disciplines, which include art, craft, furniture, fashion, graphics, mathematics, and architecture. I strived for the user/viewer to experience not only a physical connection with my designs, but to also have an emotional engagement with them.

ISBN: 9781303973086Subjects--Topical Terms:

1024640
Design and Decorative Arts.

FABRICating FORM: Generating Three-Dimensional Upholstery amid Experiments in Process Driven Design.
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245 1 0 $a FABRICating FORM: Generating Three-Dimensional Upholstery amid Experiments in Process Driven Design.
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500 $a Source: Masters Abstracts International, Volume: 53-02.
500 $a Includes supplementary digital materials.
500 $a Adviser: Carl T. Lambeth.
502 $a Thesis (M.F.A.)--The University of North Carolina at Greensboro, 2014.
506 $a This item must not be sold to any third party vendors.
506 $a This item must not be added to any third party search indexes.
520 $a As an artist and designer, I created works of art by actively researching, reflecting, experimenting, and producing projects which embodied theories, methods and processes of both practices. Additionally, my work utilized research from numerous disciplines, which include art, craft, furniture, fashion, graphics, mathematics, and architecture. I strived for the user/viewer to experience not only a physical connection with my designs, but to also have an emotional engagement with them.
520 $a My research aimed to enhance the image of the upholstery trade by examining the design possibilities of the craft. Much of my process extended apparel fabric manipulation techniques to the upholstery and structural systems of furniture in order to reveal the potential of transferring the methods from fashion to furnishings. The techniques informed the design process through the introduction of alternative approaches to upholstery manipulation, sewing, and patterning. The method helped to transform two-dimensional flat upholstered surfaces into three-dimensional upholstered forms.
520 $a I categorized my early experimental works as one-of-a-kind. However, I explored streamlining my processes of making in order to investigate other methods of construction. Additionally, I researched how fusing furniture design and traditional millinery processes allowed for small batch reproductions of my works. Ultimately, my approach gravitated toward balancing handcrafted techniques with digital methods of fabrication.
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710 2 $a The University of North Carolina at Greensboro. $b College of Arts & Sciences: Interior Architecture. $3 2103943
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