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The importance of timpani in today's...
~
Meyers, Nicholaus Shane.
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The importance of timpani in today's percussion education and as a solo instrument.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
The importance of timpani in today's percussion education and as a solo instrument./
作者:
Meyers, Nicholaus Shane.
面頁冊數:
80 p.
附註:
Source: Dissertation Abstracts International, Volume: 76-02(E), Section: A.
Contained By:
Dissertation Abstracts International76-02A(E).
標題:
Music. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3639176
ISBN:
9781321234480
The importance of timpani in today's percussion education and as a solo instrument.
Meyers, Nicholaus Shane.
The importance of timpani in today's percussion education and as a solo instrument.
- 80 p.
Source: Dissertation Abstracts International, Volume: 76-02(E), Section: A.
Thesis (D.M.A.)--North Dakota State University, 2014.
This item must not be sold to any third party vendors.
This study investigated the attitudes and beliefs of college educators and professional percussionists about the importance of timpani instruction for percussion majors at the undergraduate level. The results of a survey, in addition to other sources, were analyzed and showed a need for more education in properly preparing percussion students in the area of timpani. The particular areas discussed further within this study consist of: timpani in terms of the different types of timpani and their place in percussion education; timpani set up; grips and strokes; the stool, mallet choice, and ear training. Additionally, part of this study was geared around developing a recommended list of timpani solos appropriate for instruction in technique.
ISBN: 9781321234480Subjects--Topical Terms:
516178
Music.
The importance of timpani in today's percussion education and as a solo instrument.
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Adviser: Sigurd Johnson.
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This study investigated the attitudes and beliefs of college educators and professional percussionists about the importance of timpani instruction for percussion majors at the undergraduate level. The results of a survey, in addition to other sources, were analyzed and showed a need for more education in properly preparing percussion students in the area of timpani. The particular areas discussed further within this study consist of: timpani in terms of the different types of timpani and their place in percussion education; timpani set up; grips and strokes; the stool, mallet choice, and ear training. Additionally, part of this study was geared around developing a recommended list of timpani solos appropriate for instruction in technique.
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