東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Flickering images: Individuation and...

Chapman, Sharon Jeanette.

FindBook

Google Book

Amazon

博客來

Flickering images: Individuation and mythopoesis in the films of Ingmar Bergman.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Flickering images: Individuation and mythopoesis in the films of Ingmar Bergman./
作者:	Chapman, Sharon Jeanette.
面頁冊數:	223 p.
附註:	Source: Dissertation Abstracts International, Volume: 74-11(E), Section: B.
Contained By:	Dissertation Abstracts International74-11B(E).
標題:	Psychology, General. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3588550
ISBN:	9781303267147

Flickering images: Individuation and mythopoesis in the films of Ingmar Bergman.
Chapman, Sharon Jeanette.

Flickering images: Individuation and mythopoesis in the films of Ingmar Bergman. - 223 p.

Source: Dissertation Abstracts International, Volume: 74-11(E), Section: B.

Thesis (Ph.D.)--Pacifica Graduate Institute, 2013.

In 1965, the internationally acclaimed Swedish filmmaker Ernst Ingmar Bergman wrote: "For 20 years, I have supplied the world with dreams, intellectual excitement, fantasies, [and] fits of lunacy" (Duncan and Wanselius 350). These psychic messages recorded and reimagined on film continued for another 40 years, halted only by retirement to his beloved Faro Island in 2004 and eventual death in 2007. Like Odin, the Norse god of the Vikings with one eye open to the exterior world and one eye resting in the pool of Mimir, always turned inward to the interior world, Bergman searched his soul and constructed, through film, a Bifrost bridge spanning both worlds.

ISBN: 9781303267147Subjects--Topical Terms:

1018034
Psychology, General.

Flickering images: Individuation and mythopoesis in the films of Ingmar Bergman.
LDR:03130nmm a2200313 4500 001 2055034
005 20140730075637.5
008 170521s2013 ||||||||||||||||| ||eng d
020 $a 9781303267147
035 $a (MiAaPQ)AAI3588550
035 $a AAI3588550
040 $a MiAaPQ $c MiAaPQ
100 1 $a Chapman, Sharon Jeanette. $3 3168640
245 1 0 $a Flickering images: Individuation and mythopoesis in the films of Ingmar Bergman.
300 $a 223 p.
500 $a Source: Dissertation Abstracts International, Volume: 74-11(E), Section: B.
500 $a Adviser: Ginette Paris.
502 $a Thesis (Ph.D.)--Pacifica Graduate Institute, 2013.
520 $a In 1965, the internationally acclaimed Swedish filmmaker Ernst Ingmar Bergman wrote: "For 20 years, I have supplied the world with dreams, intellectual excitement, fantasies, [and] fits of lunacy" (Duncan and Wanselius 350). These psychic messages recorded and reimagined on film continued for another 40 years, halted only by retirement to his beloved Faro Island in 2004 and eventual death in 2007. Like Odin, the Norse god of the Vikings with one eye open to the exterior world and one eye resting in the pool of Mimir, always turned inward to the interior world, Bergman searched his soul and constructed, through film, a Bifrost bridge spanning both worlds.
520 $a This dissertation asserts a person's psychic life is a layered composite, beginning with the bedrock of archetypal structures inherited at birth and then constellated throughout one's life by cultural memory, personal experience, intellectual and emotional shaping and reshaping, and finally by the soul's own work upon itself through dreams, visions, active imagination, or art. Essentially, my approach is hermeneutic and mythopoetic. To demonstrate how the artistic work of one man's life imagines the individuation process, I explain the journey toward individuation as defined by both C.G. Jung and James Hillman, bring Norse myth, Scandinavian history, religious experience and culture forward as the fertile ground for Bergman's journey, explore the intellectual and cultural influences of his lived life---especially Friedrich Nietzsche and August Strindberg, and finally, after preparing the reader and myself to work with the film texts containing personified images of the soul working upon itself, I analyze four films from Ingmar Bergman's vast opus.
520 $a Ultimately, the purpose is to show how Ernst Ingmar Bergman's films, as experiences of psychic imagination, have provided a glimpse of the psyche working toward the unified individuated self. Bergman's films illuminate the darkness of the soul; bursts of light flicker through the strips of film to project images onto the screens of our imagination, allowing us to see, even momentarily, the images of living soul in the recesses as they burst forth into consciousness.
590 $a School code: 1142.
650 4 $a Psychology, General. $3 1018034
650 4 $a Cinema. $3 854529
650 4 $a Philosophy. $3 516511
690 $a 0621
690 $a 0900
690 $a 0422
710 2 $a Pacifica Graduate Institute. $b Mythological Studies. $3 2099674
773 0 $t Dissertation Abstracts International $g 74-11B(E).
790 $a 1142
791 $a Ph.D.
792 $a 2013
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3588550