東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Althusser and Pasolini = philosophy,...

Hamza, Agon.

FindBook

Google Book

Amazon

博客來

Althusser and Pasolini = philosophy, Marxism, and film /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Althusser and Pasolini/ by Agon Hamza.
其他題名:	philosophy, Marxism, and film /
作者:	Hamza, Agon.
出版者:	New York :Palgrave Macmillan US : : 2016.,
面頁冊數:	xi, 202 p. :digital ;21 cm.
內容註:	Introduction: Althusser and Pasolini -- PART I: On Althusser -- 1. Contextualisation -- 2. Periodization -- 3. Taking Sides: Hegel or Spinoza? -- 4. Structural Causality -- 5. Althusser before Althusser: from Christianity to Communism -- 6. Marxists' Preshistory -- 7. Proletariat of Human Condition Versus the Proletariat of Labor -- 8. Christian Materialism -- 9. Antiphilosophy -- 10. Definition of Ideology -- 11. Epistemological Break -- 12. Interpellation -- 13. State Apparatuses -- 14. Church as an Ideological State Apparatus 15. Althusser's Politics -- PART II: The Gospel According to Althusser -- 16. Setting the Stage -- 17. Camera as an Ideological Apparatus -- 18. Film as a Commodity -- 19. Representation -- 20. The Christian Reality -- 21. Religious Suspension of the Theological -- 22. Religious-Political -- us Humanity -- 25. The Politics of Religion -- 26. Pasolini's Political Though -- Conclusion: Marxism and Film.
Contained By:	Springer eBooks
標題:	Motion pictures - Philosophy. -
電子資源:	http://dx.doi.org/10.1057/978-1-137-56652-2
ISBN:	9781137566522

Althusser and Pasolini = philosophy, Marxism, and film /
Hamza, Agon.

Althusser and Pasoliniphilosophy, Marxism, and film /[electronic resource] :by Agon Hamza. - New York :Palgrave Macmillan US :2016. - xi, 202 p. :digital ;21 cm.

Introduction: Althusser and Pasolini -- PART I: On Althusser -- 1. Contextualisation -- 2. Periodization -- 3. Taking Sides: Hegel or Spinoza? -- 4. Structural Causality -- 5. Althusser before Althusser: from Christianity to Communism -- 6. Marxists' Preshistory -- 7. Proletariat of Human Condition Versus the Proletariat of Labor -- 8. Christian Materialism -- 9. Antiphilosophy -- 10. Definition of Ideology -- 11. Epistemological Break -- 12. Interpellation -- 13. State Apparatuses -- 14. Church as an Ideological State Apparatus 15. Althusser's Politics -- PART II: The Gospel According to Althusser -- 16. Setting the Stage -- 17. Camera as an Ideological Apparatus -- 18. Film as a Commodity -- 19. Representation -- 20. The Christian Reality -- 21. Religious Suspension of the Theological -- 22. Religious-Political -- us Humanity -- 25. The Politics of Religion -- 26. Pasolini's Political Though -- Conclusion: Marxism and Film.

Agon Hamza offers an in-depth analysis of the main thesis of Louis Althusser's philosophical enterprise alongside a clear, engaging dissection of Pier Paolo Pasolini's most important films. There is a philosophical, religious, and political relationship between Althusser's philosophy and Pier Paolo Pasolini's films. Hamza teases out the points of contact, placing specific focus on critiques of ideology, religion, ideological state apparatuses, and the class struggle. The discussion, however, does not address Althusser and Pasolini alone. Hamza also draws on Spinoza, Hegel, Marx, and Zizek to complete his study. Pasolini's films are a treasure-trove of Althusserian thought, and Hamza ably employs Althusserian terms in his reading of the films. Althusser and Pasolini provides a creative reconstruction of Althusserian philosophy, as well as a novel examination of Pasolini's film from the perspective of the filmmaker's own thought and Althusser's theses.

ISBN: 9781137566522

Standard No.: 10.1057/978-1-137-56652-2doiSubjects--Personal Names:

623901
Althusser, Louis,
1918-1990.Subjects--Topical Terms:

550295
Motion pictures
--Philosophy.

LC Class. No.: B2430.A474 / H34 2016

Dewey Class. No.: 194

Althusser and Pasolini = philosophy, Marxism, and film /
LDR:02841nmm a2200313 a 4500 001 2041744
003 DE-He213
005 20161205091227.0
006 m d
007 cr nn 008maaau
008 170118s2016 nyu s 0 eng d
020 $a 9781137566522 $q (electronic bk.)
020 $a 9781137566515 $q (paper)
024 7 $a 10.1057/978-1-137-56652-2 $2 doi
035 $a 978-1-137-56652-2
040 $a GP $c GP
041 0 $a eng
050 4 $a B2430.A474 $b H34 2016
072 7 $a HPN $2 bicssc
072 7 $a PHI001000 $2 bisacsh
082 0 4 $a 194 $2 23
090 $a B2430.A474 $b H232 2016
100 1 $a Hamza, Agon. $3 2182263
245 1 0 $a Althusser and Pasolini $h [electronic resource] : $b philosophy, Marxism, and film / $c by Agon Hamza.
260 $a New York : $b Palgrave Macmillan US : $b Imprint: Palgrave Macmillan, $c 2016.
300 $a xi, 202 p. : $b digital ; $c 21 cm.
505 0 $a Introduction: Althusser and Pasolini -- PART I: On Althusser -- 1. Contextualisation -- 2. Periodization -- 3. Taking Sides: Hegel or Spinoza? -- 4. Structural Causality -- 5. Althusser before Althusser: from Christianity to Communism -- 6. Marxists' Preshistory -- 7. Proletariat of Human Condition Versus the Proletariat of Labor -- 8. Christian Materialism -- 9. Antiphilosophy -- 10. Definition of Ideology -- 11. Epistemological Break -- 12. Interpellation -- 13. State Apparatuses -- 14. Church as an Ideological State Apparatus 15. Althusser's Politics -- PART II: The Gospel According to Althusser -- 16. Setting the Stage -- 17. Camera as an Ideological Apparatus -- 18. Film as a Commodity -- 19. Representation -- 20. The Christian Reality -- 21. Religious Suspension of the Theological -- 22. Religious-Political -- us Humanity -- 25. The Politics of Religion -- 26. Pasolini's Political Though -- Conclusion: Marxism and Film.
520 $a Agon Hamza offers an in-depth analysis of the main thesis of Louis Althusser's philosophical enterprise alongside a clear, engaging dissection of Pier Paolo Pasolini's most important films. There is a philosophical, religious, and political relationship between Althusser's philosophy and Pier Paolo Pasolini's films. Hamza teases out the points of contact, placing specific focus on critiques of ideology, religion, ideological state apparatuses, and the class struggle. The discussion, however, does not address Althusser and Pasolini alone. Hamza also draws on Spinoza, Hegel, Marx, and Zizek to complete his study. Pasolini's films are a treasure-trove of Althusserian thought, and Hamza ably employs Althusserian terms in his reading of the films. Althusser and Pasolini provides a creative reconstruction of Althusserian philosophy, as well as a novel examination of Pasolini's film from the perspective of the filmmaker's own thought and Althusser's theses.
600 1 0 $a Althusser, Louis, $d 1918-1990. $3 623901
600 1 0 $a Pasolini, Pier Paolo, $d 1922-1975 $3 2188005
650 0 $a Motion pictures $x Philosophy. $3 550295
650 1 4 $a Philosophy. $3 516511
650 2 4 $a Aesthetics. $3 523036
650 2 4 $a Modern Philosophy. $3 896984
650 2 4 $a Social Philosophy. $3 2181952
650 2 4 $a Philosophy of Religion. $3 896987
650 2 4 $a European Cinema. $3 2200536
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer eBooks
856 4 0 $u http://dx.doi.org/10.1057/978-1-137-56652-2
950 $a Religion and Philosophy (Springer-41175)