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The intermediality of narrative lite...

Bruhn, Jorgen.

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The intermediality of narrative literature = medialities matter /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The intermediality of narrative literature/ by Jorgen Bruhn.
其他題名:	medialities matter /
作者:	Bruhn, Jorgen.
出版者:	London :Palgrave Macmillan UK : : 2016.,
面頁冊數:	vii, 134 p. :ill., digital ;21 cm.
內容註:	Acknowledgments -- 1. Introduction -- 2. What is Mediality, and (How) does it Matter? Theoretical Terms and Methodology -- 3. Speak, Memory? Vladimir Nabokov, "Spring in Fialta" -- 4. "This beats tapes, doesn't it?" – Women, cathedrals, and other medialities in Raymond Carver's "Cathedral" -- 5. "Great script, eh?" – Medialities, metafiction and non-meaning in Tobias Wolff's "Bullet in the brain" -- 6. Between punk and PowerPoint: Authenticity versus medialities in Jennifer Egan's A visit from the goon squad -- 7. Afterthoughts -- Bibliography -- Index.
Contained By:	Springer eBooks
標題:	Intermediality. -
電子資源:	http://dx.doi.org/10.1057/978-1-137-57841-9
ISBN:	9781137578419

The intermediality of narrative literature = medialities matter /
Bruhn, Jorgen.

The intermediality of narrative literaturemedialities matter /[electronic resource] :by Jorgen Bruhn. - London :Palgrave Macmillan UK :2016. - vii, 134 p. :ill., digital ;21 cm.

Acknowledgments -- 1. Introduction -- 2. What is Mediality, and (How) does it Matter? Theoretical Terms and Methodology -- 3. Speak, Memory? Vladimir Nabokov, "Spring in Fialta" -- 4. "This beats tapes, doesn't it?" – Women, cathedrals, and other medialities in Raymond Carver's "Cathedral" -- 5. "Great script, eh?" – Medialities, metafiction and non-meaning in Tobias Wolff's "Bullet in the brain" -- 6. Between punk and PowerPoint: Authenticity versus medialities in Jennifer Egan's A visit from the goon squad -- 7. Afterthoughts -- Bibliography -- Index.

This book argues that narrative literature very often, if not always, include significant amounts of what appears to be extra-literary material – in form and in content – and that we too often ignore this dimension of literature. It offers an up to date overview and discussion of intermedial theory, and it facilitates a much-needed dialogue between the burgeoning field of intermedial studies on the one side and the already well-developed methods of literary analysis on the other. The book aims at working these two fields together into a productive working method. It makes evident, in a methodologically succinct way, the necessity of approaching literature with an intermedial terminology by way of a relatively simple but never the less productive three-step analytic method. In four in-depth case studies of Anglophone texts ranging from Nabokov, Chandler and Tobias Wolff to Jennifer Egan, it demonstrates that medialities matter.

ISBN: 9781137578419

Standard No.: 10.1057/978-1-137-57841-9doiSubjects--Topical Terms:

1246338
Intermediality.

LC Class. No.: P99.4.I58 / B58 2016

Dewey Class. No.: 809.03

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505 0 $a Acknowledgments -- 1. Introduction -- 2. What is Mediality, and (How) does it Matter? Theoretical Terms and Methodology -- 3. Speak, Memory? Vladimir Nabokov, "Spring in Fialta" -- 4. "This beats tapes, doesn't it?" – Women, cathedrals, and other medialities in Raymond Carver's "Cathedral" -- 5. "Great script, eh?" – Medialities, metafiction and non-meaning in Tobias Wolff's "Bullet in the brain" -- 6. Between punk and PowerPoint: Authenticity versus medialities in Jennifer Egan's A visit from the goon squad -- 7. Afterthoughts -- Bibliography -- Index.
520 $a This book argues that narrative literature very often, if not always, include significant amounts of what appears to be extra-literary material – in form and in content – and that we too often ignore this dimension of literature. It offers an up to date overview and discussion of intermedial theory, and it facilitates a much-needed dialogue between the burgeoning field of intermedial studies on the one side and the already well-developed methods of literary analysis on the other. The book aims at working these two fields together into a productive working method. It makes evident, in a methodologically succinct way, the necessity of approaching literature with an intermedial terminology by way of a relatively simple but never the less productive three-step analytic method. In four in-depth case studies of Anglophone texts ranging from Nabokov, Chandler and Tobias Wolff to Jennifer Egan, it demonstrates that medialities matter.
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