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Authenticity and the copy: Analyzing...

Menton, Sara Lindsey.

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Authenticity and the copy: Analyzing Western connoisseurship of Chinese painting through the works of Zhang Daqian.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Authenticity and the copy: Analyzing Western connoisseurship of Chinese painting through the works of Zhang Daqian./
作者:	Menton, Sara Lindsey.
面頁冊數:	73 p.
附註:	Source: Masters Abstracts International, Volume: 52-06.
Contained By:	Masters Abstracts International52-06(E).
標題:	Asian studies. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1555761
ISBN:	9781303889141

Authenticity and the copy: Analyzing Western connoisseurship of Chinese painting through the works of Zhang Daqian.
Menton, Sara Lindsey.

Authenticity and the copy: Analyzing Western connoisseurship of Chinese painting through the works of Zhang Daqian. - 73 p.

Source: Masters Abstracts International, Volume: 52-06.

Thesis (M.A.)--University of Oregon, 2014.

This item must not be sold to any third party vendors.

This thesis examines conflicting attitudes regarding artistic authenticity and differing approaches to connoisseurship vis-a-vis the field of Chinese art and its reception in Europe and North America. Although this thesis examines both Chinese and Western approaches to the copy and highlights different cultural methods, this argument is not Chinese versus the West. This thesis displays how concepts are combined in the Western art field to reach differing conclusions about a painting's authenticity. Specifically, this thesis analyzes the art of Chinese painter Zhang Daqian (1899--1983) and the debate surrounding Along the Riverbank, a painting in the Metropolitan Museum of Art's collection attributed to 10th century Chinese painter Dong Yuan (c. 934--c. 962). Many believe this painting is one of Zhang's forgeries. The controversies surrounding Zhang's art and forgeries reveal diverging conceptions of art education and methods of determining authenticity and the complexities of evaluating Chinese art in non-Chinese academic contexts.

ISBN: 9781303889141Subjects--Topical Terms:

1571829
Asian studies.

Authenticity and the copy: Analyzing Western connoisseurship of Chinese painting through the works of Zhang Daqian.
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520 $a This thesis examines conflicting attitudes regarding artistic authenticity and differing approaches to connoisseurship vis-a-vis the field of Chinese art and its reception in Europe and North America. Although this thesis examines both Chinese and Western approaches to the copy and highlights different cultural methods, this argument is not Chinese versus the West. This thesis displays how concepts are combined in the Western art field to reach differing conclusions about a painting's authenticity. Specifically, this thesis analyzes the art of Chinese painter Zhang Daqian (1899--1983) and the debate surrounding Along the Riverbank, a painting in the Metropolitan Museum of Art's collection attributed to 10th century Chinese painter Dong Yuan (c. 934--c. 962). Many believe this painting is one of Zhang's forgeries. The controversies surrounding Zhang's art and forgeries reveal diverging conceptions of art education and methods of determining authenticity and the complexities of evaluating Chinese art in non-Chinese academic contexts.
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