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Encoding resistance; Graphic Design ...
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Moutfti, Nermin.
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Encoding resistance; Graphic Design and Media Control In The Syrian Uprising.
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Encoding resistance; Graphic Design and Media Control In The Syrian Uprising./
作者:
Moutfti, Nermin.
面頁冊數:
56 p.
附註:
Source: Masters Abstracts International, Volume: 52-04.
Contained By:
Masters Abstracts International52-04(E).
標題:
Design and Decorative Arts. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=MR96966
ISBN:
9780494969663
Encoding resistance; Graphic Design and Media Control In The Syrian Uprising.
Moutfti, Nermin.
Encoding resistance; Graphic Design and Media Control In The Syrian Uprising.
- 56 p.
Source: Masters Abstracts International, Volume: 52-04.
Thesis (M.F.A.)--Ontario College of Art & Design (Canada), 2012.
Encoding Resistance; Graphic Design and Media Control in The Syrian Uprising re-envisioned graphic design as a critical praxis to observe the misinformation and control of media practices in the context of the Syrian uprising. The project used a reflexive design methodology that integrated elements of graphic design and journalism as visual means of resistance against media hegemony. The thesis aimed to form a space whereby graphic design could provide critical commentary on social and political conditions in Syria. Encoding Resistance explored visual and material tactics to communicate fragments of a lived experience through the perspective of the control of public opinion. The visual exploration was an attempt at enacting theory through studio practice to highlight the author's design discipline as one form of citizenship and resistance.
ISBN: 9780494969663Subjects--Topical Terms:
1024640
Design and Decorative Arts.
Encoding resistance; Graphic Design and Media Control In The Syrian Uprising.
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Source: Masters Abstracts International, Volume: 52-04.
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Encoding Resistance; Graphic Design and Media Control in The Syrian Uprising re-envisioned graphic design as a critical praxis to observe the misinformation and control of media practices in the context of the Syrian uprising. The project used a reflexive design methodology that integrated elements of graphic design and journalism as visual means of resistance against media hegemony. The thesis aimed to form a space whereby graphic design could provide critical commentary on social and political conditions in Syria. Encoding Resistance explored visual and material tactics to communicate fragments of a lived experience through the perspective of the control of public opinion. The visual exploration was an attempt at enacting theory through studio practice to highlight the author's design discipline as one form of citizenship and resistance.
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KEYWORDS: Graphic design, Syrian uprising, media control, propaganda, press, resistance, self-reflexivity, encoding, critical practice.
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