東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Ecriture masculine and the 21st cent...

Dobrenn, Audrey.

Linked to FindBook

Google Book

Amazon

博客來

Ecriture masculine and the 21st century: Impotent, flaccid and useless members of French literature.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Ecriture masculine and the 21st century: Impotent, flaccid and useless members of French literature./
Author:	Dobrenn, Audrey.
Description:	172 p.
Notes:	Source: Dissertation Abstracts International, Volume: 74-11(E), Section: A.
Contained By:	Dissertation Abstracts International74-11A(E).
Subject:	Literature, Modern. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3587521
ISBN:	9781303247965

Ecriture masculine and the 21st century: Impotent, flaccid and useless members of French literature.
Dobrenn, Audrey.

Ecriture masculine and the 21st century: Impotent, flaccid and useless members of French literature. - 172 p.

Source: Dissertation Abstracts International, Volume: 74-11(E), Section: A.

Thesis (Ph.D.)--Indiana University, 2013.

In 1975, Helene Cixous published "Le rire de la Meduse" in which she coins and tries to develop the characteristics of ecriture feminine. In doing so, she investigates the possibilities of gendered writings. Ever since, research has strived to differentiate ecriture feminine from its "masculine" counterpart - alternately called phallocentric or masculine.

ISBN: 9781303247965Subjects--Topical Terms:

624011
Literature, Modern.

Ecriture masculine and the 21st century: Impotent, flaccid and useless members of French literature.
LDR:02964nam a2200325 4500 001 1968900
005 20141231071632.5
008 150210s2013 ||||||||||||||||| ||fre d
020 $a 9781303247965
035 $a (MiAaPQ)AAI3587521
035 $a AAI3587521
040 $a MiAaPQ $c MiAaPQ
100 1 $a Dobrenn, Audrey. $3 2106128
245 1 0 $a Ecriture masculine and the 21st century: Impotent, flaccid and useless members of French literature.
300 $a 172 p.
500 $a Source: Dissertation Abstracts International, Volume: 74-11(E), Section: A.
500 $a Includes supplementary digital materials.
500 $a Adviser: Margaret Gray.
502 $a Thesis (Ph.D.)--Indiana University, 2013.
520 $a In 1975, Helene Cixous published "Le rire de la Meduse" in which she coins and tries to develop the characteristics of ecriture feminine. In doing so, she investigates the possibilities of gendered writings. Ever since, research has strived to differentiate ecriture feminine from its "masculine" counterpart - alternately called phallocentric or masculine.
520 $a The goal of this dissertation is to prove that after feminism, after the establishment of the concept of gender and the rise of ecriture feminine, ecriture masculine is an event of the twenty-first century. But while ecriture feminine liberated itself from the Phallus, by basing its themes and styles outside phallocentrism, ecriture masculine is establishing itself within phallocentrism, in order to question its hegemony more effectively. The masculine/male character (personage masculin), the erotic/pornographic subject matter, as well as the style of writing, are being renegotiated in order to bring forth a new fictional discourse; one that disputes the symbols of the Phallus. The works of three popular French authors are analyzed in order to determine what constitutes this emerging genre.
520 $a First, in the work of Michel Houellebecq, whose novels depict the life of ordinary people, we can see an evolution from the tortured male character to the creation of a liberating neo-human race, made possible with the help of cloning. This race, detached from any sexual desire, or human contact, has made possible a life without gender and mark the end of masculinity. With the novel Partouz by Yann Moix, the naked body is studied as a place of cultural re-inscription in which the flaccid member and sexual tension push towards an anti-pornographic esthetic. Finally, the first and last novels of Virginie Despentes, as well as her movie adaptation of her novel Bye Bye Blondie, will help us trace the evolution of her esthetic from heteronormativity to homonormativity and its constitutive elements.
590 $a School code: 0093.
650 4 $a Literature, Modern. $3 624011
650 4 $a Language, Modern. $3 1018098
650 4 $a Literature, Romance. $3 1019014
690 $a 0298
690 $a 0291
690 $a 0313
710 2 $a Indiana University. $b French. $3 1065072
773 0 $t Dissertation Abstracts International $g 74-11A(E).
790 $a 0093
791 $a Ph.D.
792 $a 2013
793 $a French
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3587521