東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Jazz and Radio in the United States:...

Johnson, Aaron Joseph.

FindBook

Google Book

Amazon

博客來

Jazz and Radio in the United States: Mediation, Genre, and Patronage.

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Jazz and Radio in the United States: Mediation, Genre, and Patronage./
作者:	Johnson, Aaron Joseph.
面頁冊數:	294 p.
附註:	Source: Dissertation Abstracts International, Volume: 75-08(E), Section: A.
Contained By:	Dissertation Abstracts International75-08A(E).
標題:	Music. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3619983
ISBN:	9781303896514

Jazz and Radio in the United States: Mediation, Genre, and Patronage.
Johnson, Aaron Joseph.

Jazz and Radio in the United States: Mediation, Genre, and Patronage. - 294 p.

Source: Dissertation Abstracts International, Volume: 75-08(E), Section: A.

Thesis (Ph.D.)--Columbia University, 2014.

This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925--1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. Chapter 4, "Jazz with Ads," uses the mid-1960s to mid-1970s period, in which commercial all-jazz radio had a limited run, as a prism to examine the interwoven roles of genre, format, and commerce in the presentation of jazz on the air.

ISBN: 9781303896514Subjects--Topical Terms:

516178
Music.

Jazz and Radio in the United States: Mediation, Genre, and Patronage.
LDR:02453nam a2200289 4500 001 1968227
005 20141203121118.5
008 150210s2014 ||||||||||||||||| ||eng d
020 $a 9781303896514
035 $a (MiAaPQ)AAI3619983
035 $a AAI3619983
040 $a MiAaPQ $c MiAaPQ
100 1 $a Johnson, Aaron Joseph. $3 2105366
245 1 0 $a Jazz and Radio in the United States: Mediation, Genre, and Patronage.
300 $a 294 p.
500 $a Source: Dissertation Abstracts International, Volume: 75-08(E), Section: A.
500 $a Adviser: George E. Lewis.
502 $a Thesis (Ph.D.)--Columbia University, 2014.
520 $a This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925--1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. Chapter 4, "Jazz with Ads," uses the mid-1960s to mid-1970s period, in which commercial all-jazz radio had a limited run, as a prism to examine the interwoven roles of genre, format, and commerce in the presentation of jazz on the air.
590 $a School code: 0054.
650 4 $a Music. $3 516178
650 4 $a Mass Communications. $3 1017395
650 4 $a African American Studies. $3 1669123
690 $a 0413
690 $a 0708
690 $a 0296
710 2 $a Columbia University. $b Music. $3 1675649
773 0 $t Dissertation Abstracts International $g 75-08A(E).
790 $a 0054
791 $a Ph.D.
792 $a 2014
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3619983